Presence in Play

2008
Presence in Play

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  • Author: Cormac Power
  • Publisher: Rodopi
  • ISBN: 9042023813
  • Category : Language Arts & Disciplines
  • Languages : en
  • Pages : 228

Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The 'live' immediacy of the actor, the unmediated unfolding of dramatic action and the 'energy' generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of 'presence.' Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of 'presence' as a key concept for theatre studies today.

Transfiguring Luther

2016-05-23
Transfiguring Luther

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  • Author: Vitor Westhelle
  • Publisher: Wipf and Stock Publishers
  • ISBN: 1625642164
  • Category : Religion
  • Languages : en
  • Pages : 354

Luther's theology and practice have inspired and continue to inspire so many across confessional and even religious alignments worldwide, or else excite those for whom he displays a coveted, untamed audacity in living out convictions; it is the fabric, the texture that makes Luther a figura with the capability of being transfigured. Luther's theology--his view of language and understanding of creation, incarnation, the cross; his affirmation of freedom from ecclesial, economic, and/or political encroachments; his eschatology, and so forth--is seen in a new light in societies in which modernization does not necessarily mean secularization and the spirit is not set in dual opposition to things material. The dispute as to whether Luther is a late medieval theologian or a beacon of modernity is rendered largely superfluous when the Reformer is read and interpreted in contexts that do not share the peculiar cultural and political history of Europe, its orthodoxies, its pietisms, its enlightenments, and its secularisms. Transfiguring Luther lifts up and presents the significance of the Reformer--his figure as it is transfigured into diverse contexts, absorbing new contents instead of the traditional bastions that are remarkably in tune with the spirit of the Reformation, thus rekindling it.

The Oxford Handbook of Critical Improvisation Studies

2016
The Oxford Handbook of Critical Improvisation Studies

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  • Author: George Lewis
  • Publisher: Oxford University Press
  • ISBN: 019989292X
  • Category : Music
  • Languages : en
  • Pages : 601

V. 1. Cognitions -- v. 2. Critical theories

Presence, the Play

2021-05
Presence, the Play

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  • Author: William E Jefferson
  • Publisher:
  • ISBN: 9781736496701
  • Category :
  • Languages : en
  • Pages : 262

Presence, the Play offers a penetrating perspective on the vital role personal presence plays in the essence of life. This timely, captivating novel speaks to a growing hunger for a way of life that's real and tangible, the opposite of an artificial existence lived in a realm of mediated connectivity. The protagonist of Presence, the Play is a playwright and monk named Script who lives on the Isle of Estillyen. On the opening night of Presence, Script's long-awaited play, he suffers a devastating fall in the theatre balcony and lapses into a prolonged coma. The novel plays out in Script's comatose state. Presence, the Play offers a meticulously crafted storyline evoking the imaginative prose of J. R. R. Tolkien, the spirited perception of C. S. Lewis, and the dramatic flair of Dante's Divine Comedy. Readers will join Script on an epic mission to save the Isle of Estillyen from the forces of darkness, experiencing many daunting adventures along the way.

Creating Excellence in Primary School Playtimes

2017-04-21
Creating Excellence in Primary School Playtimes

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  • Author: Michael Follett
  • Publisher: Jessica Kingsley Publishers
  • ISBN: 1784503614
  • Category : Education
  • Languages : en
  • Pages : 224

School playtimes account for 20% of a child's school life, but how can schools ensure that this time is as beneficial as possible for primary school pupils? Emphasising the importance of play in child development, this book identifies the key challenges facing schools during break times and sets out a complete strategy for effectively managing playtimes that are fun-filled and offer children greater long-term benefits. With before and after case studies showing how school playtimes have been transformed through the author's OPAL Primary Programme, this book demonstrates how to improve common issues such as behaviour, staffing, space and facilities in a sustainable way that capitalises on investments in equipment and training. Promoting wellbeing and healthy child development, this book provides inspiring reading for primary school staff and play workers, and creative ideas and ready-to-use solutions that will help schools to meet Ofsted criteria for excellent play.

The Changing Portrayal of Adolescents in the Media Since 1950

2008-07-22
The Changing Portrayal of Adolescents in the Media Since 1950

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  • Author: Patrick Jamieson
  • Publisher: Oxford University Press
  • ISBN: 019534295X
  • Category : Literary Criticism
  • Languages : en
  • Pages : 481

Scholars analyze the emergence of youth culture in music and powerful trends in gender and ethnic-racial representation, sexuality, substance use, and violence in the media in this text. It shows the evolution of teen portrayal, the potential consequences, and the ways policy-makers and parents can respond.

Early Modern Exchanges

2016-03-09
Early Modern Exchanges

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  • Author: Helen Hackett
  • Publisher: Routledge
  • ISBN: 1317146948
  • Category : Literary Criticism
  • Languages : en
  • Pages : 307

Marcus Gheeraerts’s portrait of a ’Persian lady’ - probably in fact an English lady in masquing costume - exemplifies the hybridity of early modern English culture. Her surrounding landscape and the embroidery on her gown are typically English; but her head-dress and slippers are decidedly exotic, the inscriptions beside her are Latin, and her creator was an ’incomer’ artist. She is emblematic of the early modern culture of exchange, both between England and its neighbours, and between Europe and the wider world. This volume presents fresh research into such early modern exchanges, exploring how new identities, subjectivities and artefacts were forged in dialogues and encounters between diverse cultures, nations and language communities. The early modern period was a time of creative interactions between cultures and disciplines, and accordingly this is a multidisciplinary volume, drawing together international experts in literature, history, modern and ancient languages and art history. It understands cultural exchange as encompassing both the geographical mobilities of travel and trade and the transmission of ideas across borders and between languages, as enabled by the new technology of print. Sites of exchange were located not only in distant and unfamiliar lands, but also in the bookseller’s shop and the scholar’s study. The volume also explores the productive and complex dialogues between early modern culture and the classical past. The types of exchanges discussed include the linguistic transactions of translation and imitation; interactions between cultural elites, such as monarchs, courtiers and diplomats; and the catalytic influences of particularly mobile or outward-looking individuals and groups. Ranging from the neo-Latin poetry of an English author to the plays of a nun in seventeenth-century New Spain, from royal portraits exchanged in diplomatic negotiations to travelling companions in the Ottoman Empire, the volume sheds new light

Conservation

2010-07-15
Conservation

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  • Author: Alison Richmond
  • Publisher: Routledge
  • ISBN: 1136441697
  • Category : Antiques & Collectibles
  • Languages : en
  • Pages : 268

'Conservation: Principles, Dilemmas, and Uncomfortable Truths' presents multi-perspective critical analyses of the ethics and principles that guide the conservation of works of art and design, archaeological artefacts, buildings, monuments, and heritage sites on behalf of society. Contributors from the fields of philosophy, sociology, history, art and design history, museology, conservation, architecture, and planning and public policy address a wide range of conservation principles, practices, and theories from the US, Canada, Europe, Australia and New Zealand, encouraging the reader to make comparisons across subjects and disciplines. By wrestling with and offering ways of disentangling the ethical dilemmas confronting those who maintain and sustain cultural heritage for today and tomorrow, 'Conservation: Principles, Dilemmas, and Uncomfortable Truths' provides an essential reference text for conservation professionals, museum and heritage professionals, art and cultural historians, lecturers and students, and all others invested in cultural heritage theories and practices. Alison Richmond, as a Senior Conservator in the Victoria and Albert Museum and Deputy Head of the Conservation Department at the Royal College of Art, maintains teaching and research roles in conservation theory, principles and ethics, and has developed decision-making tools for conservators. She is an Accredited Conservator-Restorer (ACR), a Fellow of the International Institute for Conservation (FIIC), and a Trustee of the UK’s Institute of Conservation (Icon) since 2005. Alison Bracker received her PhD in the History of Art from the University of Leeds, and manages the Events & Lectures programme at the Royal Academy of Arts in London. As co-founder of Bracker Fiske Consultants, she advises on the presentation, description, documentation, and care of artworks comprising modern media, and lectures and publishes widely on the theoretical and practical issues arising from the conservation of non-traditional and impermanent materials in contemporary works of art.

The Oxford Handbook of Comparative Cognition

2012-03-20
The Oxford Handbook of Comparative Cognition

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  • Author: Thomas R. Zentall
  • Publisher: Oxford University Press
  • ISBN: 019993066X
  • Category : Psychology
  • Languages : en
  • Pages : 960

In the past decade, the field of comparative cognition has grown and thrived. No less rigorous than purely behavioristic investigations, examinations of animal intelligence are useful for scientists and psychologists alike in their quest to understand the nature and mechanisms of intelligence. Extensive field research of various species has yielded exciting new areas of research, integrating findings from psychology, behavioral ecology, and ethology in a unique and wide-ranging synthesis of theory and research on animal cognition. The Oxford Handbook of Comparative Cognition contains sections on perception and illusion, attention and search, memory processes, spatial cognition, conceptualization and categorization, problem solving and behavioral flexibility, and social cognition processes including findings in primate tool usage, pattern learning, and counting. The authors have incorporated findings and theoretical approaches that reflect the current state of the field. This comprehensive volume will be a must-read for students and scientists who want to know about the state of the art of the modern science of comparative cognition.

Dances with Darwin, 1875–1910

2016-12-05
Dances with Darwin, 1875–1910

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  • Author: Rae Beth Gordon
  • Publisher: Routledge
  • ISBN: 1351946420
  • Category : Literary Criticism
  • Languages : en
  • Pages : 355

Examining the extraordinary influence of Darwin's theory of evolution on French thought from 1875 to 1910, Rae Beth Gordon argues for a reconsideration of modernism both in time and in place that situates its beginnings in the French café-concert aesthetic. Gordon weaves the history of medical science, ethnology, and popular culture into a groundbreaking exploration of the cultural implications of gesture in dance performances at late-nineteenth-century Parisian café-concerts and music halls. While art historians have studied the ties between primitivism and modernism, their convergence in fin-de-siècle popular entertainment has been largely overlooked. Gordon argues that while the impact of Darwinism was unprecedented in science, it was no less present in popular culture through the popular press and popular entertainment, where it constituted a kind of "evolutionist aesthetic" on display in the café-concert, circus, and music-hall as well as in the spectator's reception of the representations on the stage. Modernity in these sites, Gordon contends, was composed by the convergence of contemporary medical theory with representations of the primitive, staged in entertainments that ranged from the can-can, Missing Links, and epileptic singers to the Cake-Walk. Her anthropology of gesture uncovers in these dislocations of the human form an aesthetic of disorder a half century before the eruptions of Dada and Surrealism.