Picture, Image and Experience

Picture, Image and Experience

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  • Author: Robert Hopkins
  • Publisher: Cambridge University Press
  • ISBN: 9780521582599
  • Category : Philosophy
  • Languages : en
  • Pages : 224

How do pictures represent? In this book Robert Hopkins casts new light on an ancient question by connecting it to issues in the philosophies of mind and perception. He starts by describing several striking features of picturing that demand explanation. These features strongly suggest that our experience of pictures is central to the way they represent, and Hopkins characterizes that experience as one of resemblance in a particular respect. He deals convincingly with the objections traditionally assumed to be fatal to resemblance views, and shows how his own account is uniquely well placed to explain picturing's key features. His discussion engages in detail with issues concerning perception in general, including how to describe phenomena that have long puzzled philosophers and psychologists, and the book concludes with an attempt to see what a proper understanding of picturing can tell us about that deeply mysterious phenomenon, the visual imagination.


Word, Image and Experience

Word, Image and Experience

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  • Author: Giselle de Nie
  • Publisher: Taylor & Francis
  • ISBN: 1000939324
  • Category : History
  • Languages : en
  • Pages : 357

Focusing on the works of bishop Gregory of Tours (539-594) and the poet-hagiographer Venantius Fortunatus (540-c.604), in later life bishop of Poitiers, Dr de Nie gives in these innovative studies a new understanding of the miracle stories around which much of their writing revolves, but whose bizarre dynamics appear to defy sense, which has often resulted in their dismissal as useless to the historian. These authors' perceptions of miracles - and their renderings of the human self-awareness through which miracles are perceived and happen - are analysed as attempts, mostly rooted in models from the Bible, to adjust the early Christian tradition so as to make sense of, and protect themselves in, the highly insecure environment of 6th-century Frankish Gaul. Drawing on modern anthropological and psychological studies, notably in the area of spiritual healing practices, as well as on philosophical and theological reflections about verbal and mental imagery, she demonstrates how these can be used to throw fresh light on late antique society and its spirituality, exploring views of mind, affectivity, body, sensory phenomena, symbols, and the perception of women as well as of the qualities of images, verbal language and texts. The volume includes five essays not previously published in English.


What Do Pictures Want?

What Do Pictures Want?

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  • Author: W. J. T. Mitchell
  • Publisher: University of Chicago Press
  • ISBN: 022624590X
  • Category : Art
  • Languages : en
  • Pages : 419

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum


The Telling Image

The Telling Image

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  • Author: Lois Farfel Stark
  • Publisher: Greenleaf Book Group
  • ISBN: 1626344728
  • Category : Art
  • Languages : en
  • Pages : 202

Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. ​In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.


The Americans

The Americans

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  • Author: Robert Frank
  • Publisher:
  • ISBN:
  • Category : Photography, Artistic
  • Languages : en
  • Pages : 180


Understanding Pictures

Understanding Pictures

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  • Author: Dominic Lopes
  • Publisher: Clarendon Press
  • ISBN: 0191543993
  • Category : Philosophy
  • Languages : en
  • Pages : 248

There is not one but many ways to picture the world - Australian `x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways pictures represent—the different kinds of meaning they have—and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.


Mind, Values, and Metaphysics

Mind, Values, and Metaphysics

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  • Author: Anne Reboul
  • Publisher: Springer
  • ISBN: 3319051466
  • Category : Philosophy
  • Languages : en
  • Pages : 557

There are three themed parts to this book: values, ethics and emotions in the first part, epistemology, perception and consciousness in the second part and philosophy of mind and philosophy of language in the third part. Papers in this volume provide links between emotions and values and explore dependency between language, meanings and concepts and topics such as the liar’s paradox, reference and metaphor are examined. This book is the second of a two-volume set that originates in papers presented to Professor Kevin Mulligan, covering the subjects that he contributed to during his career. This volume opens with a paper by Moya, who proposes that there is an asymmetrical relation between the possibility of choice and moral responsibility. The first part of this volume ends with a description of foolishness as insensitivity to the values of knowledge, by Engel. Marconi’s article makes three negative claims about relative truth and Sundholm notes shortcomings of the English language for epistemology, amongst other papers. This section ends with a discussion of the term ‘subjective character’ by Nida-Rümelin, who finds it misleading. The third part of this volume contains papers exploring topics such as the mind-body problem, whether theory of mind is based on simulation or theory and Künne shows that the most common analyses of the so-called 'Liar' paradox are wanting. At the end of this section, Rizzi introduces syntactic cartography and illustrates its use in scope-discourse semantics. This second volume contains twenty nine chapters, written by both high profile and upcoming researchers from across Europe, North America and North Africa. The first volume of this set has two main themes: metaphysics, especially truth-making and the notion of explanation and the second theme is the history of philosophy with an emphasis on Austrian philosophy.


Art as Image and Idea

Art as Image and Idea

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  • Author: Edmund Burke Feldman
  • Publisher:
  • ISBN:
  • Category : Art
  • Languages : en
  • Pages : 544

A book on the functions, styles and structure of the major visual art forms, this text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture.


Thinking in Pictures

Thinking in Pictures

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  • Author: Temple Grandin
  • Publisher: Bloomsbury Paperbacks
  • ISBN: 9780747585329
  • Category : Autism
  • Languages : en
  • Pages : 270

The idea that some people think differently, though no less humanely, is explored in this inspiring book. Temple Grandin is a gifted and successful animal scientist, and she is autistic. Here she tells us what it was like to grow up perceiving the world in an entirely concrete and visual way - somewhat akin to how animals think, she believes - and how it feels now. Through her finely observed understanding of the workings of her mind she gives us an invaluable insight into autism and its challenges.


Varieties of Visual Experience

Varieties of Visual Experience

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  • Author:
  • Publisher: ABRAMS
  • ISBN: 9780810900271
  • Category : Art
  • Languages : en
  • Pages : 680

"A classic on the functions, styles and structure of the major visual art forms, this well-received text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture. For art critics, artists, and all those interested in art criticism."--Publisher.