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This book explores the Romanian Revolution in relation to the ongoing questions around its authenticity. It offers a critical theoretical re-examination of the revolution using the concept of performative contradiction as an analytic tool.
This edited book fills a void in the existing research concerning anti-communist movements in Central and Eastern Europe, outlining the linguistic implications of the cultural, social and political metamorphoses brought about by the (change of) regime. The authors included in this volume approach the topic from a variety of perspectives, but, ultimately, focus on language seen as a fundamental tool for simultaneously subjugating and liberating, concealing and revealing truth, discouraging dissidence and fostering revolt. Readers are invited to discover the linguistic implications of the many shapes and forms that the 1989 anti-communist revolutions took. Equally interesting are the investigations of the revolution aftermath, in the first years of transition to democracy. Perceived as a whole throughout the Cold War (1947-1991), the so-called "Eastern Bloc" managed to reveal its heterogeneity, the singularity of each of its comprising states and the multitude of its internal contrasts, most vividly perhaps, in the manifold manifestations of the 1989 anti-communist fight. This book will be of interest to academics and researchers from various fields, including history, (socio)linguistics, political studies, and conflict studies.
"Blending narrative with analysis, Peter Siani-Davies seeks to answer these and other questions while placing the events and their immediate aftermath within a wider context. Based on fieldwork conducted in Romania and drawing heavily on Romanian sources, including television and radio transcripts, official documents, newspaper reports, and interviews, this book is the most thorough study of the Romanian Revolution that has appeared in English or any other major European language."--BOOK JACKET.
Communism has cast a long shadow over Romania. The passage of little over a quarter of a century since the overthrow in December 1989 of Romania’s last Communist leader, Nicolae Ceaușescu, offers a symbolic standpoint from which to penetrate that shadow and to throw light upon the entire period of Communist rule in the country. An appropriate point of departure is the observation that Romania’s trajectory as a Communist state within the Soviet bloc was unlike that of any other. That trajectory has its origins in the social structures, attitudes and policies in the pre-Communist period. The course of that trajectory is the subject of this inquiry.
The biannual, peer-reviewed Journal of Romanian Studies, jointly developed by The Society for Romanian Studies and ibidem Press, examines critical issues in Romanian studies, linking work in that field to wider theoretical debates and issues of current relevance, and serving as a forum for junior and senior scholars. The journal also presents articles that connect Romania and Moldova comparatively with other states and their ethnic majorities and minorities, and with other groups by investigating the challenges of migration and globalization and the impact of the European Union. Issue No. 6 is a Special Issue on Communication, guest-edited by Raluca Radu and Ioana Coman. It contains contributions by Radu Silaghi-Dumitrescu, Lucian-Vasile Szabo, Alla Rosca, Marius Dragomir, Dumitrița Holdiș, Cristina Lupu, Manuela Preoteasa, Marian Voicu, Antonio Momoc, Onoriu Colăcel, Tibori Szabo Zoltan, Andrei Richter, Paolo Mancini, Anca Șincan, Roland Clark, Dana Domsodi, R. Chris Davis.
Explores the impact of nostalgia on the construction of individual and collective identity for diasporic South-Asians in the UK and US. It argues that in the postcolonial context the affect produced by this nostalgia can have radical potential as a form of resistance.
Contested Borders broadens understandings of dissident sexualities in Africa through focusing specifically on the Maghreb. It examines new representations of same-sex desire emerging in new francophone life writing, memoir, and literature from Algeria, Morocco, and Tunisia.
Looking at a number of memorials, memory sites and artworks relating to the Holocaust the book uses this idea of synaesthetic perception to explore trauma, memory and the production of art in relation to painful memories.
Bringing together both established and emerging scholars from critical and cultural theory, literature, philosophy, and theology, this book examines the intersection of economics and religion.
