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Infinitely varied and simple to make, homemade cookies fresh from the oven are always a delicious treat, and this superb volume brings together a wonderful and eclectic range of mouth-watering confections.
Set in the insular, genteel world of an all-boys prep school, this tense and electrifying Edgar-nominated classic surrounding an all-too-deadly production of Othello is now back in print. In New York City, a young man is found murdered in a dingy Times Square sex theater—his neck gruesomely snapped—and the only clue is a torn receipt from the Montpelier School for Boys bookstore. Christmas break is just a couple of weeks away when Montpelier student Russell Phillips fetches up dead. Headmaster Lane, preferring to view Phillips’s death as a suicide, decides to keep the school open for the remainder of the term. But as the nights grow longer and colder—and more corpses begin to surface in connection with the rehearsals for Othello, the winter play—it becomes all too clear that the students and faculty are being stalked by a cool and calculating killer. The local police and school administrators find themselves out of their depth. Even so, many people’s suspicions begin to focus on a single suspect—until he, too, turns up dead. A gripping tour de force that brilliantly uses an isolated boarding school campus as the setting for this propulsive mystery, Passion Play will keep the reader guessing until the final act.
Hoping to add some steam and sex to your next game? Then this book is for you. This practical guide provides you with the foundational tools needed to write, design, and create healthy sexual content in video games in ways that are narratively compelling, varied, and hot! Challenging the assumptions that sex in games is superfluous, exploitative, or only of interest to straight guys, this book encourages designers to create meaningful, enjoyable sexual content for all audiences. Using examples from well-known AAA games (and some standout indie content!), each chapter provides a framework to guide game writers, designers, and developers through the steps of creating and executing sexual content in their games – from early concept, to setting it up in larger game narrative, and finally to executing specific sexual scenes and sequences. It also lays out a host of details and considerations that, while easily missed or forgotten, can have a major impact on the quality or theme of the scene. Offering expert insight and ideas for creating sex scenes in games, this book is vital reading for game designers, writers, and narrative designers who are interested in making games with sexual content. It will also appeal to artists, cutscene directors, audio engineers, composers, and programmers working on these games – or really, any game developer with an interest in the topic!
This practical guide provides you with the foundational tools needed to write, design, and create healthy sexual content in video games in ways that are narratively compelling, varied, and hot! The book encourages designers to create meaningful, enjoyable sexual content for all audiences.
In this first comprehensive study of the Latin Passion play, Professor Sticca examines the medieval liturgical ceremonies commemorating the events in Christ's Passion and traces their gradual change in character from the contemplative to the dramatic. The author shows that while Christ's Passion became increasingly popular as one of the sacred mysteries beginning in the tenth century, new forces that allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. Professor Sticca analyzes the earliest extant Latin Passion play, the twelfth-century Montecassino codex, and compares it with other Latin and vernacular Passion plays. He refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion play and then offers a new theory of its inception. As a literary form, the Latin Passion play appears to Professor Sticca as a creation of the Montecassino monastic circle which was inspired by the liturgical services of Good Friday and the Gospel accounts. Particularly influential also were three themes that developed in the eleventh century: in liturgy, a concentration on Christocentric piety; in art, a more humanistic treatment of Christ; and in literature, a consideration of the scenes of the Passion as dramatic and human episodes. In the course of this investigation, Professor Sticca also reappraises traditional views of the origin of the medieval liturgical drama, indicating that it should not be traced exclusively to the tropes from the schools of St. Gall and St. Martial of Limoges, but rather to a number of sources.
The Great Passion Play in historic Eureka Springs, Arkansas, was first performed on July 15, 1968. Since that day, over seven million visitors from all over the world have witnessed the largest outdoor drama in the United States. The play ambitiously dramatizes the last week of Jesus's life and his ascension. The staging incorporates over 200 cast members, live animals, period dress, and numerous special effects. Surrounding the Great Passion Play are the sacred projects of the Elna M. Smith Foundation, which were the vision of Gerald L. K. Smith and Elna M. Smith. These projects include the seven-story Christ of the Ozarks statue, the Sacred Arts Museum, the New Holy Land, and the Bible Museum. On average, over 100,000 people are drawn to these attractions every year.
Every ten years since 1634, the Bavarian village of Oberammergau has performed the world's most famous Passion Play, recounting the last days of Jesus Christ. In 2010, presenting the play for the 41st time, the village broke with tradition to offer a new interpretation for a post-millennial, international audience. Drawing on interviews with villagers and international responses, this collection of new essays provides an analysis of the play by scholars who attended. Topics include changes in response to charges of anti-Semitism, how the play defines the village, how the performance changes the audience, and a comparison of Oberammergau 2010 with American Passion Plays, Indian pilgrimage drama and other German Passion Plays.
Since the 1960s, British progressive rock band Jethro Tull has pushed the technical and compositional boundaries of rock music by infusing its musical output with traditions drawn from classical, folk, jazz, and world music. The release of Thick as a Brick (1972) and A Passion Play (1973) won the group legions of new followers and topped the Billboard charts in the United States, among the most unusual albums ever to do so. Tim Smolko explores the large-scale form, expansive instrumentation, and complex arrangements that characterize these two albums, each composed of one continuous song. Featuring insights from Ian Anderson and in-depth musical analysis, Smolko discusses the band's influence on popular culture and why many consider Thick as a Brick and A Passion Play to be two of the greatest concept albums in rock history.
