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Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.
Nigel Molesworth, the curse of St. Custard's school, is known to his huge army of fans through Geoffrey Willans' four books Down with Skool!, How to be Topp, Whizz for Atomms and Back in the Jug Agane, first published between 1953 and 1958, and illustrated by Ronald Searle. Much less famous are the Molesworth diaries that appeared in the magazine Punch between August 1939 and December 1942. This volume is an opportunity to discover a slightly different Molesworth - less philosophical than the boy portrayed in the books, but equally as sardonic, knowing and cynical. The diaries are an introduction to the world and mind of Molesworth, and as such are essential reading for Molesworth fans - all of whom are, of course, "conoisuers of prose and luvers of literature".
"The name of Molesworth has huge national recognition, not only because it is our largest high-country station, but also because of the remarkable story of how, from the late 1940s, the legendary manager Bill Chisholm rebuilt a ruined landscape and turned it into a flourishing and profitable farm. Molesworth covers an area greater than Stewart Island, and is in every sense a working farm, home to one of the country{u2019}s largest cattle herds. For many years it was virtually closed to the public, which is one reason for its mystique, but that is in the process of change. Now managed by the Department of Conservation, vehicle access is allowed during the summer months and the public are able to experience this unique environment. The last account of Molesworth was published in 1969, so this book is a timely continuation of its history. It tells the stories of those who have contributed so much over the years to this highly successful station. Just as importantly, it explains the importance of recreation and conservation in the running of a modern high-country farm. Richly illustrated with the sweeping and evocative photography of Rob Suisted, this book on Molesworth Station is a must for all those interested in the iconic South Island high country. It will appeal to a very wide range of readers, from those who know the high country well, to those who don{u2019}t, but love reading about it." --Publisher description.
A tribute to the artistic and entrepreneurial spirit of Thomas Molesworth--a Wyoming furniture maker who, 60 years ago, outfitted famous western lodges and dude ranches--this fascinating book also introduces contemporary craftspeople who are leading the pack in today's Western revival. 140 photographs
Providing a crucial record of the painter Noah Davis’s extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators. Despite his exceedingly premature death at the age of 32, Davis’s paintings have deeply influenced the rise of figurative and representational painting in the twenty-first century. Davis’s emotionally charged work places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, and Luc Tuymans. This catalogue is born of the unique relationship between Davis and Helen Molesworth, whom Davis entrusted to be the curator of his work. It is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to The Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis’s life, Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Together with color illustrations and archival photographs, the book features heartfelt testimonials that unfold in the intimate yet expansive spirit of studio visits with people close to him.
'Part Object Part Sculpture' maps a genealogy of postwar sculpture that challenges the Minimalist/Post-Minimalist sequence maintained in most accounts of the period.
"The Cuckoo Clock" by Mrs. Molesworth. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
One of the foremost American figurative painters of the twentieth century, it is not surprising that Alice Neel was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties, how they defiance and survival. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. Through her paintings and works on paper, Neel was able to free herself from the expected inhibitions and crippling taboos that were placed on women and focus on the beauty and nuanced complexity of flesh and the human body. In their mastery of form, color, and implied social commentary, her nudes are as relevant today as when they were painted. Freedom documents the solo exhibition of the artist’s work at David Zwirner in New York in 2019. Including works that span the 1920s to the 1980s, this presentation focuses primarily on the nude figure—whether male or female, adult or child—and demonstrates how Neel rebelled against and challenged the traditional perceptions of sexuality, motherhood, and beauty in our society. The catalogue includes newly commissioned scholarship by Helen Molesworth and an introduction by Ginny Neel of The Estate of Alice Neel.
