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Narrated from several different perspectives, tells the story of the 1956 murder of two teenaged girls in suburban Baltimore, Maryland.
When twelve-year-old Florence boards the crowded horse-drawn coach in London, she looks forward to a new life with her great uncle and aunt at Crutchfield Hall, an old manor house in the English countryside. Anything will be better, she thinks, than the grim London orphanage where she has lived since her parents' death. But Florence doesn't expect the ghost of her cousin Sophia, who haunts the cavernous rooms and dimly lit hallways of Crutchfield and concocts a plan to use Florence to help her achieve her murderous goals. Will Florence be able to convince the others in the household of the imminent danger and stop Sophia before it's too late?
A suspenseful story of unexpected connections between present and past. Ashely and her mother need their new apartment to work out, but everything Ashely does seems to upset the irritable and unforgiving landlady. When Ashley makes friends with the girl next door, Kristi, they uncover a wooden box containing a well-loved turn-of-the-century doll. Ashley wants to keep the doll for herself, but Kristi has other ideas. So does the doll's original owner, a girl who died decades ago, but whom Ashley meets when she follows a mysterious white cat through a hedge. Can Ashley bring peace to the girl and resolve her own present-day challenges?
Travis and his sister, Corey, can’t resist a good trick—so when they learn that their grandmother’s sleepy Vermont inn has a history of ghost sightings, they decide to do a little “haunting” of their own. Scaring the guests is fun, and before long, the inn is filled with tourists and ghost hunters eager for a glimpse of the supernatural. But Travis and Corey soon find out that there are real ghosts at Fox Hill. Awakened by their pranks, restless, spiteful spirits swarm the inn, while a dark and terrifying presence stalks the grounds. To lay the spirits to rest, the kids must uncover the dark history of Fox Hill and the horrors visited on its young inhabitants in the past.
A contemporary thriller by the bestselling author of The Old Willis Place. Two 13-year-old boys, Arthur and Logan, set out to solve the mystery of a murder that took place some years ago in the old house Logan's family has just moved into. The boys' quest takes them to the highest and lowest levels of society in their small Maryland town, and eventually to a derelict amusement park that is supposedly closed for the season.
When he goes to spend the summer with his great-aunt in the family's old house, eleven-year-old Drew is drawn eighty years into the past to trade places with his great-great-uncle who is dying of diphtheria.
Just before summer begins, 13-year-old Ali finds an odd photograph in the attic. She knows the two children in it are her mother, Claire, and her aunt Dulcie. But who’s the third person, the one who’s been torn out of the picture? Ali figures she’ll find out while she’s vacationing in Maine with Dulcie and her four-year-old daughter, Emma, in the house where Ali’s mother’s family used to spend summers. All hopes for relaxation are quashed shortly after their arrival, though, when the girls meet Sissy, a kid who’s mean and spiteful and a bad influence on Emma. Strangest of all, Sissy keeps talking about a girl named Teresa who drowned under mysterious circumstances back when Claire and Dulcie were kids, and whose body was never found. At first Ali thinks Sissy’s just trying to scare her with a ghost story, but soon she discovers the real reason why Sissy is so angry. . . . Mary Downing Hahn is at her chilling best in this new supernatural tale that’s certain to send shivers down her readers’ spines.
Diana and her little brother Georgie have been living in the woods behind the old Willis place, a decaying Victorian mansion, for what already seems like forever. They aren’t allowed to leave the property or show themselves to anyone. But when a new caretaker comes to live there with his young daughter, Lissa, Diana is tempted to break the mysterious rules they live by and reveal herself so she can finally have a friend. Somehow, Diana must get Lissa’s help if she and Georgie ever hope to release themselves from the secret that has bound them to the old Willis place for so long. Mary Downing Hahn has written a chilling ghost story in the tradition of her most successful spine-tingling novels. The intriguing characters, frightening secrets, and plot twists will delight her many fans.
Twelve-year-old Molly and her ten-year-old brother, Michael, have never liked their seven-year-old stepsister, Heather. Ever since their parents got married, she's made Molly and Michael's life miserable. Now their parents have moved them all to the country to live in a house that used to be a church, with a cemetery in the backyard. If that's not bad enough, Heather starts talking to a ghost named Helen and warning Molly and Michael that Helen is coming for them. Molly feels certain Heather is in some kind of danger, but every time she tries to help, Heather twists things around to get her into trouble. It seems as if things can't get any worse. But they do—when Helen comes.
Fr. Robert Griffin, C.S.C. (1925–1999), was a beloved member of the Notre Dame community. With his cocker spaniel, Darby O’Gill, he was instantly recognizable on campus. He was well known for his priestly work counseling students as university chaplain for thirty years, his summer ministry to the homeless and parishioners in New York City, and his weekly columns in the student newspaper, The Observer, in which he invited the campus community to reflect with him on the challenges and joys of being Catholic in a time of enormous social and religious change. This collection draws together essays that Griffin wrote for Notre Dame Magazine between 1972 and 1994. In them, he considers many of the challenges that beset church and campus, such as the laicization of priests, premarital sex, the erosion of institutional authority, intolerance toward gay people, and failure of fidelity to the teachings of the church. Griffin also ruminates on the distress that human beings experience in the ordinariness of their lives—the difficulty of communication in families, grief over the loss of family and friends, the agonies of isolation, and the need for forgiveness. Griffin’s shrewd insights still ring true for people today. His efforts to temper the winds of institutional rules, cultural change, and personal suffering reveal a mind keenly attuned to the need for understanding human limitations and to the presence of grace in times of change. Griffin quotes from the works of literary modernists, such as Fitzgerald and Hemingway, whose novels and short stories he loved; in these allusions and in his own reflections and experiences, Griffin bridges the spiritual and the secular and offers hope for reconciliation and comfort.
