Marxist Film Theory and Fight Club

Marxist Film Theory and Fight Club

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  • Author: Anna Kornbluh
  • Publisher: Bloomsbury Publishing USA
  • ISBN: 1501347322
  • Category : Philosophy
  • Languages : en
  • Pages : 195

Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.


Architecture, Philosophy, and the Pedagogy of Cinema

Architecture, Philosophy, and the Pedagogy of Cinema

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  • Author: Nadir Lahiji
  • Publisher: Routledge
  • ISBN: 1000392104
  • Category : Architecture
  • Languages : en
  • Pages : 218

Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In this work author Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture. Building art puts the collective mass in the position of an ‘expert critic’ who identifies themselves with the technical apparatus of architecture. Only then can architecture regain its status as ‘mass art’ and, as the book contends, only then can it resume its function as the only ‘artform’ that is designed for the political pedagogy of masses, which originally belonged to it in the period of modernity before the invention of cinema.


The Double Shift

The Double Shift

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  • Author: Jason Read
  • Publisher: Verso Books
  • ISBN: 1839767642
  • Category : Philosophy
  • Languages : en
  • Pages : 225

"This book is a must read for students of contemporary capitalism." —Kathi Weeks, Duke University "Why do people fight for their exploitation as if it was liberation?" How Marx and Spinoza can explain our perverse attachment to the indignities of work In a world of declining wages, working conditions, and instability, the response for many has been to work harder, increasing hours and finding various ways to hustle in a gig economy. What drives our attachment to work? To paraphrase a question from Spinoza, "Why do people fight for their exploitation as if it was liberation?" The Double Shift turns towards the intersection of Marx and Spinoza in order to examine the nature of our affective, ideological, and strategic attachment to work. Through an examination of contemporary capitalism and popular culture it argues that the current moment can be defined as one of "negative solidarity." The hardship and difficulty of work is seen not as the basis for alienation and calls for its transformation but rather an identification with the difficulties and hardships of work. This distortion of the work ethic leads to a celebration of capitalists as job creators and suspicion towards anyone who is not seen as a "real worker." The book is grounded in philosophy, specifically Marx and Spinoza, and is in dialogue with Plato, Smith, Hegel, and Arendt, but, at the same time, in examining contemporary ideologies and ideas about work it discusses motivational meetings at Apple Stores, the culture of Silicon Valley, and films and television from Office Space to Better Call Saul The Double Shift argues for a transformation of our collective imagination and attachment to work.


The Work of Reading

The Work of Reading

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  • Author: Anirudh Sridhar
  • Publisher: Springer Nature
  • ISBN: 3030711390
  • Category : Literary Criticism
  • Languages : en
  • Pages : 313

The Work of Reading: Literary Criticism in the 21st Century is a sustained critical examination of the developments in the field of literary studies from the early 2000s onwards within the context of the systematic problems in the humanities. This volume analyzes the origins of the current methods—including New Historicism, empiricism, New Formalism, postcritique, and others—and posits alternatives to the present state of literary studies. At a time when many aspects of current methods show a desire to adopt values from other disciplines to solve internal crises, this volume advocates a renewed focus on questions of form by means of the praxis of aesthetic study, close reading, and other modes of engaging directly with literary texts.


Raymond Williams at 100

Raymond Williams at 100

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  • Author: Paul Stasi
  • Publisher: Rowman & Littlefield
  • ISBN: 1538145081
  • Category : Literary Criticism
  • Languages : en
  • Pages : 212

This volume, timed to coincide with what would have been Williams’s 100th birthday, tests his ideas in our own experience and to engage Williams’s work in ways that move past the familiar terrain that has grown around it.


The Rhythm Image

The Rhythm Image

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  • Author: Steven Shaviro
  • Publisher: Bloomsbury Publishing USA
  • ISBN: 1501388576
  • Category : Music
  • Languages : en
  • Pages : 233

Music videos play a critical role in our age of ubiquitous streaming digital media. They project the personas and visions of musical artists; they stand at the cutting edge of developments in popular culture; and they fuse and revise multiple frames of reference, from dance to high fashion to cult movies and television shows to Internet memes. Above all, music videos are laboratories for experimenting with new forms of audiovisual expression. The Rhythm Image explores all these dimensions. The book analyzes, in depth, recent music videos for artists ranging from pop superstar The Weeknd to independent women artists like FKA twigs and Dawn Richard. The music videos discussed in this book all treat the traditional themes of popular music: sex and romance, money and fame, and the lived experiences of race and gender. But they twist these themes in strange and unexpected ways, in order to reflect our entanglement with a digital world of social media, data gathering, and 24/7 demands upon our attention.


Fredric Jameson and Film Theory

Fredric Jameson and Film Theory

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  • Author: Keith B. Wagner
  • Publisher: Rutgers University Press
  • ISBN: 1978808887
  • Category : Performing Arts
  • Languages : en
  • Pages : 187

Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.


Understanding Film

Understanding Film

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  • Author: Mike Wayne
  • Publisher: Pluto Press (UK)
  • ISBN:
  • Category : Performing Arts
  • Languages : en
  • Pages : 270

Ideal for students looking for a radical approach to film studies.


Marx at the Movies

Marx at the Movies

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  • Author: Lars Kristensen
  • Publisher: Springer
  • ISBN: 1137378611
  • Category : Performing Arts
  • Languages : en
  • Pages : 293

Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.


Marxism Goes to the Movies

Marxism Goes to the Movies

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  • Author: Mike Wayne
  • Publisher: Routledge
  • ISBN: 9781315559308
  • Category : Performing Arts
  • Languages : en
  • Pages : 218

Introducing the key concepts and thinkers within the Marxist tradition, Marxism Goes to the Movies demonstrates their relevance to film theory and practice past and present. Author Mike Wayne argues that Marxist filmmaking has engaged with and transformed this popular medium, developing its potential for stimulating revolutionary consciousness. As the crisis of capitalism deepens, this history and these resources are vital for a better future. Marxism is one of the few approaches that can bring together political, economic, formal and cultural analysis into a unified approach of studying film, and how films in turn can help us understand and even critically interrogate these forces. The book examines how filmmakers, who have been influenced by Marxism, have made some of the most significant contributions to film culture globally, and provides historical perspective on the development of Marxism and film. Each chapter covers a broad theme that is broken down into sections that are cross-referenced throughout, providing helpful navigation of the material. Clear and concise in its arguments, this is an ideal introduction for students of Marxism and film, inviting readers to deepen their knowledge and understanding of the subject.