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This volume provides a unique overview of the complete histories of Latin and Greek as second languages.
15 chapters with joint instruction in Latin and Ancient Greek; guided readings from ancient authors including Ovid, Homer, and Sapho; original exercises with translation between all three languages. --Back cover.
This book investigates the role of the Latin language as a vehicle for science and learning from several angles. First, the question what was understood as ‘science’ through time and how it is named in different languages, especially the Classical ones, is approached. Criteria for what did pass as scientific are found that point to ‘science’ as a kind of Greek Denkstil based on pattern-finding and their unbiased checking. In a second part, a brief diachronic panorama introduces schools of thought and authors who wrote in Latin from antiquity to the present. Latin’s heydays in this function are clearly the time between the twelfth and eighteenth centuries. Some niches where it was used longer are examined and reasons sought why Latin finally lost this lead-role. A third part seeks to define the peculiar characteristics of scientific Latin using corpus linguistic approaches. As a result, several types of scientific writing can be identified. The question of how to transfer science from one linguistic medium to another is never far: Latin inherited this role from Greek and is in turn the ancestor of science done in the modern vernaculars. At the end of the study, the importance of Latin science for modern science in English becomes evident.
The only introductory Latin textbook to use texts written by ancient Romans for Latin learners, presented in one volume.
"This work establishes and explores connections between Greek imperial literature and Latin poetry. As such, it challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks are not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. The argument mobilizes the Greek novels-a literary form that flourished under the Roman empire, offering narratives of love, separation, and eventual reunion in and around the Mediterranean basin-as a series of case studies. Three of these novels in particular-Chariton's Chaereas and Callirhoe, Achilles Tatius' Clitophon and Leucippe, and Longus' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After an Introduction that establishes the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry: Chariton and Latin love elegy (Chapter 1); Chariton and Ovidian epistles and exilic poetry (Chapter 2); Chariton and Vergil's Aeneid (Chapter 3); Achilles Tatius and Latin love elegy (Chapter 4); Achilles Tatius and Vergil's Aeneid (Chapter 5); Achilles Tatius and the theme of bodily destruction in Ovid's Metamorphoses, Lucan's Bellum Civile, and Seneca's Phaedra (Chapter 6); Longus and Vergil's Eclogues, Georgics, and Aeneid (Chapter 7). The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period"--
Learning Latin Through Mythology is a highly illustrated workbook to introduce elementary students to Latin using simplified versions of the popular myths of ancient Greece and Rome. The book consists of thirteen units, each including a short English version of a myth, an illustrated Latin version with vocabulary explanations, a related Latin grammar activity, plus related writing and open-ended projects. Innovative review exercises enhance the thirteen units. It captures students' interest in Latin through the myths, motivating them to translate the Latin and complete the other activities. References to mythology are commonplace in advertising, the media and the theater, and so it is essential that students understand the allusions to mythological characters. The lively and unique approach to learning Latin demonstrated by this workbook makes Learning Latin Through Mythology an interesting and useful introduction to simple Latin.
Steve Reece proposes that the author of Luke-Acts was trained as a youth in the primary and secondary Greek educational curriculum typical of the Eastern Mediterranean during the Roman Imperial period, where he gained familiarity with the Classical and Hellenistic authors whose works were the focus of study. He makes a case for Luke's knowledge of these authors internally by spotlighting the density of allusions to them in the narrative of Luke-Acts, and externally by illustrating from contemporary literary, papyrological, and artistic evidence that the works of these authors were indeed widely known in the Eastern Mediterranean at the time of the composition of Luke-Acts, not only in the schools but also among the general public. Reece begins with a thorough examination of the Greek educational system during the Hellenistic and Roman Imperial periods, emphasizing that the educational curriculum was very homogeneous, at least at the primary and secondary levels, and that children growing up anywhere in the Eastern Mediterranean could expect to receive quite similar educations. His close examination of the Greek text of Luke-Acts has turned up echoes, allusions, and quotations of several of the very authors that were most prominently featured in the school curriculum: Homer, Aesop, Euripides, Plato, and Aratus. This reinforces the view that Luke, along with other writers of the New Testament, lived in a cultural milieu that was influenced by Classical and Hellenistic Greek literature and that he was not averse to invoking that literature when it served his theological and literary purposes.
The volume offers an innovative and systematic exploration of the diverse ways in which Later Greek Epic interacts with the Latin literary tradition. Taking as a starting point the premise that it is probable for the Greek epic poets of the Late Antiquity to have been familiar with leading works of Latin poetry, either in the original or in translation, the contributions in this book pursue a new form of intertextuality, in which the leading epic poets of the Imperial era (Quintus of Smyrna, Triphiodorus, Nonnus, and the author of the Orphic Argonautica) engage with a range of models in inventive, complex, and often covert ways. Instead of asking, in other words, whether Greek authors used Latin models, we ask how they engaged with them and why they opted for certain choices and not for others. Through sophisticated discussions, it becomes clear that intertexts are usually systems that combine ideology, cultural traditions, and literary aesthetics in an inextricable fashion. The book will prove that Latin literature, far from being distinct from the Greek epic tradition of the imperial era, is an essential, indeed defining, component within a common literary and ideological heritage across the Roman empire.
This book provides English translations of newly discovered texts in an easily understandable presentation, with extensive illustrations.
Latin Grammarians on the Latin Accent offers a fresh perspective on a long-standing debate about the value of Latin grammarians writing about the Latin accent: should the information they give us be taken seriously, or should much of it be dismissed as copied mindlessly from Greek sources? This book focusses on understanding the Latin grammarians on their own terms: what they actually say about accents, and what they mean by it. Careful examination of Greek and Latin grammatical texts leads to a better understanding of the workings of Greek grammatical theory on prosody, and of its interpretation in the Latin grammatical tradition. It emerges that Latin grammarians took over from Greek grammarians a system of grammatical description that operated on two levels: an abstract level that we are not supposed to be able to hear, and the concrete level of audible speech. The two levels are linked by a system of rules. Some points of Greek thought on prosody were taken over onto the abstract level and not intended as statements about the actual sound of Latin, while other points were so intended. While this book largely sets aside the question whether the Latin grammarians tell us the truth about the Latin accent, focussing instead on understanding what they actually say, it begins to offer answers for those wishing to know when to 'believe' Latin grammarians in the traditional sense: the book shows which of their statements are intended - and which are not intended - as statements about the actual sound of Latin.
