Alfred's Essentials of Jazz Theory, Self Study: A Complete Self-Study Course for All Musicians, Book & 3 CDs [With 3 CDs]

Alfred's Essentials of Jazz Theory, Self Study: A Complete Self-Study Course for All Musicians, Book & 3 CDs [With 3 CDs]

PDF Alfred's Essentials of Jazz Theory, Self Study: A Complete Self-Study Course for All Musicians, Book & 3 CDs [With 3 CDs] Download

  • Author: Shelly Berg
  • Publisher: Alfred Music Publishing
  • ISBN: 9780739043851
  • Category : Music
  • Languages : en
  • Pages : 154

Alfred's Essentials of Jazz Theory is designed for jazz enthusiasts and musicians who want to learn jazz concepts and terminology. To get the most out of this course, it is recommended that you have a good understanding of basic theory, such as the lessons in Books 1-3 of Alfred's Essentials of Music Theory. The book contains lessons with both written and music reading exercises and ear-training and listening are addressed through the included CDs. Each unit is complete with a review section. Playing and/or singing along with each example is encouraged throughout the book. The Self-Study Course includes lessons, a complete answer key to check your work, and three listening and ear-training CDs.


Jazz Theory and Practice

Jazz Theory and Practice

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  • Author: Jeffrey Hellmer
  • Publisher: Alfred Music
  • ISBN: 9781457410680
  • Category : Music
  • Languages : en
  • Pages : 316

Jazz Theory and Practice is the most modern introduction to jazz theory ever published. Rich with examples from the repertoire, it gives performers, arrangers and composers an in-depth and practical knowledge of the theoretical foundations of jazz.


Jazz Theory

Jazz Theory

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  • Author: Dariusz Terefenko
  • Publisher: Routledge
  • ISBN: 1135043019
  • Category : Music
  • Languages : en
  • Pages : 491

Jazz Theory: From Basic to Advanced Study is a comprehensive textbook ideal for Jazz Theory courses or as a self-study guide for amateur and professional musicians. Written with the goal of bridging theory and practice, it provides a strong theoretical foundation beginning with music fundamentals through post-tonal theory, while integrating ear training, keyboard skills, and improvisation. It includes a DVD with 46 Play Along audio tracks and a companion website, which hosts the workbook, ear training exercises, and audio tracks of the musical examples featured in the book.


The Jazz Theory Book

The Jazz Theory Book

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  • Author: Mark Levine
  • Publisher: "O'Reilly Media, Inc."
  • ISBN: 1457101459
  • Category : Music
  • Languages : en
  • Pages : 725

The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.


Jazz Theory Handbook

Jazz Theory Handbook

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  • Author: PETER SPITZER
  • Publisher: Mel Bay Publications
  • ISBN: 1619115182
  • Category : Music
  • Languages : en
  • Pages : 136

Jazz Theory Handbook is a complete guide to all the essential topics of jazz theory, suitable for all treble instruments. Its approach is clear and concise,realistic and practical. This book will help you to understand how contemporaryjazz players think, and to apply theory concepts in your own playing. Subjects are introduced progressively, with each new one based on those introduced before. Topics include chord building, harmonic movement, modes, II-V-I licks, polychords, blues, rhythm changes, how to learn tunes, practice techniques,playing outside, and more. All of the book's musical examples are performed on the accompanying audio, along with sample solos and 3 play-along tracks with a great rhythm section. Jazz Theory Handbook is designed for both self- study andclassroom use. Audio download available online


Jazz Theory – Contemporary Improvisation, Transcription and Composition

Jazz Theory – Contemporary Improvisation, Transcription and Composition

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  • Author: Ron Westray
  • Publisher: Anthem Press
  • ISBN: 1839989726
  • Category : Education
  • Languages : en
  • Pages : 744

This course is designed to present and develop jazz arranging and compositional principles. In preparation for successful improvisation, composing and transcription, a wide range of theoretical topics are presented. The stylistic considerations of jazz improvisation and composition require an extensive and working knowledge of jazz theory, and mastery of diatonic, bitonal, poly-tonal and atonal theoretical maximums and processes – including the refining of the [imitation] transcription process towards theoretical justification and conventional usage.


Practical Jazz Theory for Improvisation

Practical Jazz Theory for Improvisation

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  • Author: Craig Fraedrich
  • Publisher: Lulu.com
  • ISBN: 1312410051
  • Category : Art
  • Languages : en
  • Pages : 282

""Practical Jazz Theory for Improvisation"" is a jazz theory text with an emphasis on improvisation. Originally conceived as the Jazz Theory/Improvisation text and curriculum for the 2014 National Jazz Workshop, it has already been adopted by several university jazz programs. This book begins at a level accessible by students just beginning in jazz, with reference appendices to fill any fundamental music theory knowledge, yet progresses systematically in technical and conceptual content well beyond all but the most advanced college improvisation classes. With notated examples and exercises demonstrating all concepts as well free downloadable play-along tracks for all exercises, this book will have students playing the material almost immediately. While not required, the available 300+ page companion book, ""Practical Jazz Theory for Improvisation Exercise Workbook"" (available in treble and bass clef) has all exercises notated in all keys to allow for quicker technical and aural advancement.


Music Theory Secrets

Music Theory Secrets

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  • Author: Brent Coppenbarger
  • Publisher: Rowman & Littlefield
  • ISBN: 1442233249
  • Category : Music
  • Languages : en
  • Pages : 157

Modeled on the brilliant approach first formulated by distinguished professor of music and master clarinetist Michele Gingras in Clarinet Secrets and More Clarinet Secrets (both available from Rowman and Littlefield), Music Secrets is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use, contributions to the Music Secrets series fill a niche for those who need quick and easy methods for learning what they need—from those just starting to the advanced musician in need of a refresher or new insights. Rhythms, melodies, and harmonies are the building blocks of music. In Music Theory Secrets: 94 Strategies for the Starting Musician, Brent Coppenbarger offers a full range of methods to help musicians, not only grasp, but remember those key elements upon which the music they play is built: pitch, rhythm, scales, key signatures, and harmony. With over eighteen years of experience teaching music theory, Coppenbarger offers the various teaching and memory strategies he has designed to help musicians understand and retain what they need to know. Coppenbarger covers critical information on how to determine pitch, the use of meter, and how to count rhythms in simple and compound meter; explains major scales and major key signatures, as well as minor scales and minor key signatures; surveys other types of scales (such as those used in jazz) and explains how modes work; presents necessary data on scale degree names and intervals; covers triads and various types of chords; touches upon Roman numeral analysis, inversions, and figured bass; presents non-chord tones and discusses solfege singing, including several pages of sight singing using various clefs and keys (strongly recommended for instrumentalists for practicing transpositions for the appropriate clef and range) demonstrates the different techniques musicians can use for transposing keys; and finally discusses more advanced concepts such as part-writing rules, the use of sequences, and form. Music Theory Secrets: 94 Strategies for the Starting Musician is an indispensable resource for instrumental teachers wishing to incorporate music theory into lessons, classroom teachers, high school and college students, amateur musicians, those wanting to learn to read music, home-schooled students, and college bound music students.


Music Theory in Ethnomusicology

Music Theory in Ethnomusicology

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  • Author: Stephen Blum
  • Publisher: Oxford University Press
  • ISBN: 0197683746
  • Category : Music
  • Languages : en
  • Pages : 241

During the 1960s and 70s some ethnomusicologists formed relationships with music-makers and ritual specialists in an attempt to interpret how they understood their musical actions. Subsequently ethnomusicologists have studied the respects in which explicit and implicit theory is involved in communication of musical knowledge. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by existing institutions. They are assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory. That exercise is increasingly recognized as a necessary effort of decolonization. A thorough yet concise introduction to this field, Music Theory in Ethnomusicology outlines a conception of music theory suited to cross-cultural research on musical practices.


The Routledge Companion to Music Theory Pedagogy

The Routledge Companion to Music Theory Pedagogy

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  • Author: Leigh VanHandel
  • Publisher: Routledge
  • ISBN: 0429012721
  • Category : Music
  • Languages : en
  • Pages : 672

Today’s music theory instructors face a changing environment, one where the traditional lecture format is in decline. The Routledge Companion to Music Theory Pedagogy addresses this change head-on, featuring battle-tested lesson plans alongside theoretical discussions of music theory curriculum and course design. With the modern student in mind, scholars are developing creative new approaches to teaching music theory, encouraging active student participation within contemporary contexts such as flipped classrooms, music industry programs, and popular music studies. This volume takes a unique approach to provide resources for both the conceptual and pragmatic sides of music theory pedagogy. Each section includes thematic "anchor" chapters that address key issues, accompanied by short "topics" chapters offering applied examples that instructors can readily adopt in their own teaching. In eight parts, leading pedagogues from across North America explore how to most effectively teach the core elements of the music theory curriculum: Fundamentals Rhythm and Meter Core Curriculum Aural Skills Post-Tonal Theory Form Popular Music Who, What, and How We Teach A broad musical repertoire demonstrates formal principles that transcend the Western canon, catering to a diverse student body with diverse musical goals. Reflecting growing interest in the field, and with an emphasis on easy implementation, The Routledge Companion to Music Theory Pedagogy presents strategies and challenges to illustrate and inspire, in a comprehensive resource for all teachers of music theory.