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Garrett Green examines the point at which divine revelation and human experience meet, where the priority of grace is acknowledged while allowing its dynamics to be described in analytical and comparative terms as a religious phenomenon.
We’re all on a journey. We all want more meaning than what we have at the present moment. We wouldn’t be human if we did not. Imagining Eternity is about one person’s journey. It’s an honest and forthright account of a human being looking for lasting value and purpose in his life. In this, Imagining Eternity is everyone’s story, a thoroughly human sojourn into the dreams, pain, hopes, and longings which all of us explore and encounter. It’s a mirror, not so much of content, but of form, of the universal realities we all face in our quest to find value in our existence. We’re all looking for permanence. Imagining Eternity is one person’s telling of how he found it.
What is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.
Every disciple imagines Jesus; reading the Gospels we form images of him and of his surroundings. This has been constant practice for those who desire to know him more clearly. We, however, borrow stuff--from stained glass windows, book illustrations, and the like--which is always familiar to us, but which reflects our, not his, culture. This book invites readers to construct different scenarios about Jesus and his world from the study of his ancient culture. We do this with accuracy because of the advance of cultural studies of his and our worlds. Jesus should look different (wear different clothing, experience different grooming), in settings foreign to us (in houses and boats from his own world). Jesus should speak differently so that the meaning of his words can only be known in his culture. In this book readers travel through the Gospels with specific suggestions about what to see, namely, Jesus in his cultural world. Imagining Jesus also suggests how to listen to him in his cultural language. Did Jesus laugh? How did he pray? This is what the incarnation means: imagining Jesus socialized in a particular culture, at a time foreign to us and in a language strange to us.
The church. What has it become? What was it meant to be? Does it pave the way or get in the way? Are we suspicious of the institutionalization of church bureaucracy? Or thrilled with the relevant impact of its presence? Robert J. Suderman writes about the church as a practitioner. His inspiration emerges out of the crossroads of biblical vision and human sincerity always tempered with frailty. Years of ministry, never a stranger to complexity, only serve to sharpen the vision of possibility. His imagination of what can be is never divorced from the realities of what is. He does not bow to the common assumption that "you can't get there from here." "Here" is the only possible point of origin for us. In his succinct, easy to understand writing style, Suderman provides insightful and thought-provoking perspectives to what it means to be the church. To be a people "called out" to participate together in God's activity in the world, and to create programs and structures needed for effective ministry are two sides of the same coin. This book is for dreamers and bureaucrats alike; indeed, it assumes that the two are indispensable pieces of God's coming presence. Introduction by: Tom Yoder Neufeld
The impact that John V. Taylor had on our contemporary understanding of mission is vast – his determination that mission should mean engagement across cultural boundaries has deep resonance today. In 'Imagining Mission with John V. Taylor', leading missional thinkers Jonny Baker and Cathy Ross invite us into a vision of church, mission and society which takes John Taylor’s ideas seriously, seeking to imagine what Taylor’s insights might mean for these three areas in our contemporary context. The result is a clarion call to the church to take bigger risks and dream bigger dreams.
The relatively recent "worship wars" over styles of worship — traditional, contemporary, or blended — have calmed down, and many churches have now reached decisions about which "worship style" defines them. At a more fundamental level, however, change has yet to begin. In From Memory to Imagination Randall Bradley argues that fallout from the worship wars needs to be cleaned up and that fundamental cultural changes — namely, the effects of postmodernism — call for new approaches to worship. Outlining imaginative ways for the church to move forward, this book is a must-read for church leaders and anyone interested in worship music.
In Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
An introduction to the theology of Wolfhart Pannenberg.Pannenberg's extensive works, especially his recently published Systematic Theology, are increasingly regarded as of major importance. Professor Mostert here provides not only a general introduction to Pannenberg's theology, and many keys to enable the serious reader of theology to access Pannenberg's individual works, but also sets Pannenberg's complex thought in the broadest context of contemporary philosophical and theological thought.
Organized by heretical movements and texts from the Gnostic Gospels to The Book of Mormon, this book uses the work of James Joyce – particularly Ulysses and Finnegan's Wake – as a prism to explore how the history of Christian heresy remains part of how we read, write, and think about books today. Erickson argues that the study of classical, medieval, and modern debates over heresy and orthodoxy provide new ways of understanding modernist literature and literary theory. Using Joyce's works as a springboard to explore different perspectives and intersections of 20th century literature and the modern literary and religious imagination, this book gives us new insights into how our modern and “secular” reading practices unintentionally reflect how we understand our religious histories.
