Gothic Literature

Gothic Literature

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  • Author: Andrew Smith
  • Publisher: Edinburgh University Press
  • ISBN: 0748647430
  • Category : Literary Criticism
  • Languages : en
  • Pages : 224

New edition of bestselling introductory text outlining the history and ways of reading Gothic literatureThis revised edition includes:* A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developments* An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.


American Gothic Literature

American Gothic Literature

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  • Author: Ruth Bienstock Anolik
  • Publisher: McFarland
  • ISBN: 078649851X
  • Category : Literary Criticism
  • Languages : en
  • Pages : 315

American Gothic literature inherited many time-worn tropes from its English Gothic precursor, along with a core preoccupation: anxiety about power and property. Yet the transatlantic journey left its mark on the genre--the English ghostly setting becomes the wilderness haunted by spectral Indians. The aristocratic villain is replaced by the striving, independent young man. The dispossession of Native Americans and African Americans adds urgency to traditional Gothic anxieties about possession. The unchanging role of woman in early Gothic narratives parallels the status of American women, even after the Revolution. Twentieth-century Gothic works offer inclusion to previously silent voices, including immigrant writers with their own cultural traditions. The 21st century unleashes the zombie horde--the latest incarnation of the voracious American.


Historical Dictionary of Gothic Literature

Historical Dictionary of Gothic Literature

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  • Author: William Hughes
  • Publisher: Rowman & Littlefield
  • ISBN: 0810872285
  • Category : Gothic fiction (Literary genre)
  • Languages : en
  • Pages : 345

Literary fashions come and go, but some hang around longer than others, like Gothic literature which has existed ever since The Castle of Otranto in 1764. During this long while, it has spread from England, to the rest of Great Britain, and across to the continent, and off to America and Australia, filling in the gaps more recently. Most of it is in English, but hardly all, and it has adopted all styles, from romanticism, to modernism, to postmodernism and even adjusted to feminist and queer literature, and science fiction. We have all, read some Gothic tales or if not read then seen them in the cinema, since they adapt well to film treatment, and it would be hard to find anyone who has not heard of ghosts and vampires, let alone Count Dracula and Frankenstein. On the other hand, some of us are inveterate Gothic fans, reading one book or story after the other. The Historical Dictionary of Gothic Literature follows this long and winding path, first in an extensive chronology and then a useful introduction which explains the nature of Gothic and shows how it has evolved. Obviously, the dictionary section has entries on major writers, and some of the best-known works, but also on geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction. This is provided in over 200 often substantial and always intriguing entries. More can be found in a detailed bibliography, including general works but also more specialized ones on different styles and genres, and also specific authors. This book should certainly interest the fans but also more serious researchers.


The Handbook to Gothic Literature

The Handbook to Gothic Literature

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  • Author: Marie Mulvey-Roberts
  • Publisher: NYU Press
  • ISBN: 0814756107
  • Category : Literary Criticism
  • Languages : en
  • Pages : 315

Some topics and literary figures discussed are: American Gothic, Ambrose Bierce, Charles Dickens, Gothic architecture, Nathaniel Hawthorne, Contemporary Gothic, Occultism, Robert Louis Stevenson, Witches and witchcraft, Spiritualism, Oscar Wilde, Gothic film, Ghost stories, and Edgar Allan Poe.


History of the Gothic: Gothic Literature 1764-1824

History of the Gothic: Gothic Literature 1764-1824

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  • Author: Carol Margaret Davison
  • Publisher: University of Wales Press
  • ISBN: 0708322611
  • Category : Literary Criticism
  • Languages : en
  • Pages : 386

Offers an introduction to British Gothic literature. This book examines works by Gothic authors such as Horace Walpole, Matthew Lewis, Ann Radcliffe, William Godwin and Mary Shelley against the backdrop of eighteenth-and-nineteenth-century British social and political history.


York Notes Companions: Gothic Literature

York Notes Companions: Gothic Literature

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  • Author: Susan Chaplin
  • Publisher: Pearson UK
  • ISBN: 1292003847
  • Category : Literary Criticism
  • Languages : en
  • Pages : 392

An exploration of Gothic literature from its origins in Horace Walpole’s 1764 classic The Castle of Otranto, through Romantic and Victorian Gothic to modernist and postmodernist takes on the form. The volume surveys key debates such as Female Gothic, the Gothic narrator and nation and empire, and focuses on a wide range of texts including The Mysteries of Udolpho, Frankenstein, Jane Eyre, Dracula, The Magic Toyshop and The Shining.


History of the Gothic: Gothic Literature 1825-1914

History of the Gothic: Gothic Literature 1825-1914

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  • Author: Jarlath Killeen
  • Publisher: University of Wales Press
  • ISBN: 0708322441
  • Category : Literary Criticism
  • Languages : en
  • Pages : 260

Examines how themes and trends associated with the early Gothic novels were diffused in many genres in the Victorian period, including the ghost story, the detective story and the adventure story.


Property and Power in English Gothic Literature

Property and Power in English Gothic Literature

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  • Author: Ruth Bienstock Anolik
  • Publisher: McFarland
  • ISBN: 1476622647
  • Category : Literary Criticism
  • Languages : en
  • Pages : 242

Eighteenth-century England witnessed major social and economic changes, including the commodification of property, person and text through legal containments--enclosure, coverture, primogeniture, copyright. English Gothic authors responded with tropes that worked to dispel the assurances of possession--the contested castle, the beleaguered yet enduring woman, the haunting ghost, the disjointed narrative--warning that seemingly mundane codes of ownership have menacing implications, such as the civil death of women through marriage. This book explores the masterplot of the English Gothic text as a response to the Enlightenment's rational certainty regarding possession of self, property and narrative.


Women’s Colonial Gothic Writing, 1850-1930

Women’s Colonial Gothic Writing, 1850-1930

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  • Author: Melissa Edmundson
  • Publisher: Springer
  • ISBN: 3319769170
  • Category : Social Science
  • Languages : en
  • Pages : 258

This book explores women writers’ involvement with the Gothic. The author sheds new light on women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book investigates how women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.


The Cambridge Companion to Gothic Fiction

The Cambridge Companion to Gothic Fiction

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  • Author: Jerrold E. Hogle
  • Publisher: Cambridge University Press
  • ISBN: 1107494486
  • Category : Literary Criticism
  • Languages : en
  • Pages : 354

Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.