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The definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film making in Canada.
Gendering the Nation-State explores the gendered dimensions of a fundamental organizational unit in social and political science -- the nation-state. Yasmeen Abu-Laban has drawn together work by both high-profile and emerging scholars to rescue gender from the margins of theoretical discussions on the nation, the state, public policy, and citizenship. Contributors bring the insights of feminist analysis to bear on three relationships central to popular and policy discussions in contemporary Canada and beyond: gender and nation, gender and state processes, and gender and citizenship. Gendering the Nation-State employs a comparative framework and builds on three decades of multidisciplinary work. Nuanced and wide-ranging, the collection crosses and challenges physical, theoretical, and disciplinary borders.
This volume offers an empirically rich, theoretically informed study of the shifting intersections of nation/alism, gender and sexuality. Challenging a scholarly legacy that has overly focused on the masculinist character of nationalism, it pays particular attention to the people and issues less commonly considered in the context of nationalist projects, namely women and sexual minorities. Bringing together both established and emerging researchers from across the globe, this multidisciplinary and comparison-rich volume provides a multi-sited exploration of the shifting contours of belonging and Otherness generated by multifarious nationalisms. The diverse, and context specific positionings of men and women, masculinities and femininities, and hegemonic and non-normative sexualities, vis-à-vis nation/alism, are illuminated through a vibrant array of contemporary theoretical lenses. These include historical and feminist institutionalism, post-colonial theory, critical race approaches, transnational and migration theory and semiotics.
En-Gendering India offers an innovative interpretation of the role that gender played in defining the Indian state during both the colonial and postcolonial eras. Focusing on both British and Indian literary texts—primarily novels—produced between 1857 and 1947, Sangeeta Ray examines representations of "native" Indian women and shows how these representations were deployed to advance notions of Indian self-rule as well as to defend British imperialism. Through her readings of works by writers including Bankimchandra Chatterjee, Rabindranath Tagore, Harriet Martineau, Flora Annie Steel, Anita Desai, and Bapsi Sidhaa, Ray demonstrates that Indian women were presented as upper class and Hindu, an idealization that paradoxically served the needs of both colonial and nationalist discourses. The Indian nation’s goal of self-rule was expected to enable women’s full participation in private and public life. On the other hand, British colonial officials rendered themselves the protectors of passive Indian women against their “savage” male countrymen. Ray shows how the native woman thus became a symbol for both an incipient Indian nation and a fading British Empire. In addition, she reveals how the figure of the upper-class Hindu woman created divisions with the nationalist movement itself by underscoring caste, communal, and religious differences within the newly emerging state. As such, Ray’s study has important implications for discussions about nationalism, particularly those that address the concepts of identity and nationalism. Building on recent scholarship in feminism and postcolonial studies, En-Gendering India will be of interest to scholars in those fields as well as to specialists in nationalism and nation-building and in Victorian, colonial, and postcolonial literature and culture.
Five women and four men examine the relationship between gender and nationality in modern fiction and theatre, poetry, film and television, how male and female authors portray women, the treatment of sexuality in Scottish writing, the construction of Scottish masculinity and its relation to class and homophobia.
Nira Yuval-Davis provides an authoritative overview and critique of writings on gender and nationhood, presenting an original analysis of the ways gender relations affect and are affected by national projects and processes. In Gender and Nation Yuval-Davis argues that the construction of nationhood involves specific notions of both `manhood' and `womanhood'. She examines the contribution of gender relations to key dimensions of nationalist projects - the nation's reproduction, its culture and citizenship - as well as to national conflicts and wars, exploring the contesting relations between feminism and nationalism. Gender and Nation is an important contribution to the debates on citizenship, gender and nationhood. It will be essential reading for academics and students of women's studies, race and ethnic studies, sociology and political science.
This volume considers the significance of nation and gender in the context of post-1989 transitions in the former Soviet Union and Yugoslavia and in the context of post-partition India. The texts critique the ways in which narratives of nationhood and womanhood naturalize and essentialize difference and hierarchy. The authors explore uses of sexualized/gendered imagery in defining the space of the nation and sexualized/gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space.
