Framing the Holocaust

Framing the Holocaust

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  • Author: Valerie Hébert
  • Publisher:
  • ISBN: 9780299344108
  • Category : Holocaust, Jewish (1939-1945)
  • Languages : en
  • Pages : 0

In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Sķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at--so why should we? Framing the Holocaust offers a multidimensional response to this question. While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Sķēde atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting. With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.


Framing the Holocaust in Polish Aftermath Cinema

Framing the Holocaust in Polish Aftermath Cinema

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  • Author: Matilda Mroz
  • Publisher: Springer Nature
  • ISBN: 1137461667
  • Category : Performing Arts
  • Languages : en
  • Pages : 305

This book offers a unique perspective on contemporary Polish cinema’s engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Huberman’s confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of Birthplace (Łoziński, 1992), It Looks Pretty From a Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida (Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Poland’s aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.


Framing the Holocaust

Framing the Holocaust

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  • Author: Valerie Hébert
  • Publisher: University of Wisconsin Pres
  • ISBN: 029934410X
  • Category : Holocaust, Jewish (1939-1945)
  • Languages : en
  • Pages : 296

In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Sķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at--so why should we? Framing the Holocaust offers a multidimensional response to this question. While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Sķēde atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting. With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.


Frames of Evil

Frames of Evil

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  • Author: Caroline Joan Picart
  • Publisher: SIU Press
  • ISBN: 9780809327249
  • Category : History
  • Languages : en
  • Pages : 212

In Frames of Evil: The Holocaust as Horror in American Film, Picart and Frank challenge this classic horror frame--the narrative and visual borders used to demarcate monsters and the monstrous. After examining the way in which directors and producers of the most influential American Holocaust movies default to this Gothic frame, they propose that multiple frames are needed to account for evil and genocide.


Reframing Holocaust Testimony

Reframing Holocaust Testimony

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  • Author: Noah Shenker
  • Publisher: Indiana University Press
  • ISBN: 0253017173
  • Category : History
  • Languages : en
  • Pages : 268

“An invaluable resource” for individuals and institutions documenting the experiences of Holocaust survivors—or other historical testimony—on video (Journal of Jewish Identities). Institutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional histories and practices of their respective archives. Shenker argues that testimonies are shaped not only by the encounter between interviewer and interviewee, but also by technical practices and the testimony process—and analyzes the ways in which interview questions, the framing of the camera, and curatorial and programming preferences impact how Holocaust testimony is molded, distributed, and received.


Against the Unspeakable

Against the Unspeakable

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  • Author: Naomi Mandel
  • Publisher: University of Virginia Press
  • ISBN: 9780813925813
  • Category : American fiction
  • Languages : en
  • Pages : 300

In Against the Unspeakable, Naomi Mandel offers a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of "unspeakability." Discussing a variety of texts such as Toni Morrison's Beloved, Steven Spielburg's Schindler's List, and William Styron's Confessions of Nat Turner, Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do?


Framing the Holocaust in English Class

Framing the Holocaust in English Class

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  • Author: Karen Spector
  • Publisher:
  • ISBN:
  • Category : Holocaust, Jewish (1939-1945), in literature
  • Languages : en
  • Pages : 345


Frames of Remembrance

Frames of Remembrance

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  • Author: Iwona Irwin-Zarecka
  • Publisher: Routledge
  • ISBN: 1351519255
  • Category : History
  • Languages : en
  • Pages : 232

What is the symbolic impact of the Vietnam War Memorial? How does television change our engagement with the past? Can the efforts to wipe out Communist legacies succeed? Should victims of the Holocaust be celebrated as heroes or as martyrs? These questions have a great deal in common, yet they are typically asked separately by people working in distinct research areas in different disciplines. Frames of Remembrance shares ideas and concerns across such divides.


Framing the Threat

Framing the Threat

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  • Author: Imke Köhler
  • Publisher: Walter de Gruyter GmbH & Co KG
  • ISBN: 3110626055
  • Category : Political Science
  • Languages : en
  • Pages : 292

There is great power in the use of words: words create most of what we consider to be real and true. Framing our words and narratives is thus a tool of power – but a power that also comes with limitations. This intriguing issue is the topic of Framing the Threat, an investigation of the relationship between language and security and of how discourse creates the scope of possibility for political action. In particular, the book scrutinizes and compares the security narratives of the former US presidents George W. Bush and Barack Obama. It shows how their framings of identity, i.e., of the American ‘self’ and the enemy ‘other’ facilitated a certain construction of threat that shaped the presidents’ detention and interrogation policies. By defining what was necessary in the name of national security, Bush’s narrative justified the operation of the detention center at Guantanamo Bay and rendered the mistreatment of detainees possible – a situation that would have otherwise been illegal. Bush’s framings therefore enabled legal limits to be pushed and made the violation of rules appear legitimate. Obama, in contrast, constructed a threat scenario that required an end to rule violations, and the closure of Guantanamo for security reasons. According to this narrative, a return to the rule of law was imperative if the American people were to be kept safe. However, Obama’s framing was continually challenged, and it was never able to dominate public discourse. Consequently, Framing the Threat argues Obama was unable to implement the policy changes he had announced.


Framing the Iraq War Endgame

Framing the Iraq War Endgame

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  • Author: E. King
  • Publisher: Springer
  • ISBN: 0230100759
  • Category : Political Science
  • Languages : en
  • Pages : 278

The Bush administration was remarkably successful in dominating the debate over why we had to go to war with Iraq, but it would soon be faced with the more daunting task of winning the monumental rhetorical struggle over how to write the script of the Iraq War endgame. We examine the twists and turns of the discursive battle over the war's denouement as it played out against the backdrop of the war on terror, and we conclude that while Bush failed to win the argument that Iraq was one with our fight against terrorism, his underlying worldview that we must confront terrorist evil through global military engagement remains an important component of Obama adminstration rhetoric.