Fascist Spectacle

Fascist Spectacle

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  • Author: Simonetta Falasca-Zamponi
  • Publisher: Univ of California Press
  • ISBN: 0520926153
  • Category : History
  • Languages : en
  • Pages : 318

This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.


Making the Fascist Self

Making the Fascist Self

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  • Author: Mabel Berezin
  • Publisher: Cornell University Press
  • ISBN: 150172214X
  • Category : History
  • Languages : en
  • Pages : 292

In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.


Society Of The Spectacle

Society Of The Spectacle

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  • Author: Guy Debord
  • Publisher: Bread and Circuses Publishing
  • ISBN: 1617508306
  • Category : Political Science
  • Languages : en
  • Pages : 164

The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.


Empire of Illusion

Empire of Illusion

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  • Author: Chris Hedges
  • Publisher: Knopf Canada
  • ISBN: 0307398587
  • Category : Social Science
  • Languages : en
  • Pages : 242

Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.


Donatello Among the Blackshirts

Donatello Among the Blackshirts

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  • Author: Claudia Lazzaro
  • Publisher: Cornell University Press
  • ISBN: 9780801489211
  • Category : Art
  • Languages : en
  • Pages : 308

Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.


How Fascism Ruled Women

How Fascism Ruled Women

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  • Author: Victoria de Grazia
  • Publisher: Univ of California Press
  • ISBN: 0520074572
  • Category : History
  • Languages : en
  • Pages : 367

"For the common reader as well as the professional one, Victoria de Grazia opens doors and sheds new light on a fascinating subject."—Mary Gordon, author of The Other Side


Screen Nazis

Screen Nazis

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  • Author: Sabine Hake
  • Publisher: University of Wisconsin Pres
  • ISBN: 0299287130
  • Category : Performing Arts
  • Languages : en
  • Pages : 325

From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.


Holy Legionary Youth

Holy Legionary Youth

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  • Author: Roland Clark
  • Publisher: Cornell University Press
  • ISBN: 0801456347
  • Category : History
  • Languages : en
  • Pages : 288

Founded in 1927, Romania’s Legion of the Archangel Michael was one of Europe’s largest and longest-lived fascist social movements. In Holy Legionary Youth, Roland Clark draws on oral histories, memoirs, and substantial research in the archives of the Romanian secret police to provide the most comprehensive account of the Legion in English to date. Clark approaches Romanian fascism by asking what membership in the Legion meant to young Romanian men and women. Viewing fascism "from below," as a social category that had practical consequences for those who embraced it, he shows how the personal significance of fascism emerged out of Legionaries’ interactions with each other, the state, other political parties, families and friends, and fascist groups abroad. Official repression, fascist spectacle, and the frequency and nature of legionary activities changed a person’s everyday activities and relationships in profound ways. Clark’s sweeping history traces fascist organizing in interwar Romania to nineteenth-century grassroots nationalist movements that demanded political independence from the Austro-Hungarian Empire. It also shows how closely the movement was associated with the Romanian Orthodox Church and how the uniforms, marches, and rituals were inspired by the muscular, martial aesthetic of fascism elsewhere in Europe. Although antisemitism was a key feature of official fascist ideology, state violence against Legionaries rather than the extensive fascist violence against Jews had a far greater impact on how Romanians viewed the movement and their role in it. Approaching fascism in interwar Romania as an everyday practice, Holy Legionary Youth offers a new perspective on European fascism, highlighting how ordinary people "performed" fascism by working together to promote a unique and totalizing social identity.


Everyday Life in Fascist Venice, 1929-40

Everyday Life in Fascist Venice, 1929-40

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  • Author: K. Ferris
  • Publisher: Springer
  • ISBN: 1137265086
  • Category : History
  • Languages : en
  • Pages : 257

This book explores the day-to-day 'lived experience' of fascism in Venice during the 1930s, charting the attempts of the fascist regime to infiltrate and reshape Venetians' everyday lives and their responses to the intrusions of the fascist state.


The Fascist Experience in Italy

The Fascist Experience in Italy

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  • Author: John Pollard
  • Publisher: Routledge
  • ISBN: 1134819048
  • Category : History
  • Languages : en
  • Pages : 178

John Pollard provides an analysis of printed and broadcast propaganda, new documentary material and thematic coverage of major topics such as the transformation of Italian agrarian and urban society and the actions of the Papacy. He compares the rise of the Fascist movement against the background of the First World and the ensuing crisis of the Italian democratic system, reassessing the status of the fascist movement as a coalition rather than a monolith and detailing the images of energy and violence which were crucial to the success of fascism, both within Italy and internationally.