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From the author of Farnsworth's Classical English Rhetoric, a manual for clear, forceful, unforgettable speech.
Ward Farnsworth details the timeless principles of rhetoric that have held good from Ancient Greece to the present day, drawing on examples in the English language of consummate masters of prose, such as Lincoln, Churchill, Dickens, Melville, Burke & Pain.
Farnsworth’s Classical English Rhetoric was the definitive guide to the use of rhetorical devices in English. It became a best-seller in its field, with over 20,000 copies in print. Here now is the natural sequel, Farnsworth’s Classical English Metaphor—the most entertaining and instructive book ever written about the art of comparison. A metaphor compares two things that seem unalike. Lincoln was a master of the art (A house divided against itself cannot stand). So were Jefferson (The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants) and Shakespeare (All the world’s a stage/And all the men and women merely players). Farnsworth’s book is the finest collection of such figurative comparisons ever assembled. It offers an original analysis of patterns in the sources and uses of metaphor. It also explains the different stylistic ways that comparisons can be written, and with what effects. The book starts by dividing the sources of metaphor into families, including nature, architecture, animals, and myth. It then shows how the best writers have put each of those traditions to distinctive use-for the sake of caricature, to make an abstract idea visible, to make a complicated idea simple. The book provides, along the way, an extraordinarily wide-ranging tour of examples from novelists, playwrights, philosophers, and orators. There is interest, instruction, and amusement to be found on every page. Ward Farnsworth-lawyer, dean, teacher, and polymath-has produced another indispensable book for the writer. Classical English Metaphor will be a constant source of learning and enjoyment for anyone who appreciates the art of observation and the pleasure of well-chosen words.
"Learn the art of argument from the masters. Here is a curated collection, with hundreds of examples, of reasoning and debate from the golden age of debate in England and America. Leave it to Farnsworth to illuminate principles of debate through examples by masters of the language. Thomas Paine, Abraham Lincoln, Jonathan Swift, Edmund Burke, Winston Churchill, and many others, each provide exemplars of reasoning, persuasion, and aggression. From "Insult and Invective" to "Reductio ad Absurdum," from "Ad Hominem Arguments," to "Deduction and Induction" (and the final chapter "Futility"), readers will see how to craft winning arguments of their own. A readable reference, the book is also meant for fun. "It shows masters of the language," as Farnsworth writes, "crossing analytical swords and exchanging abuse when those things were done with more talent and dignity than is common today. They made argument a spectator sport of lasting value and interest." Farnsworth's Classical English Argument is the fourth book in a series about wise use of words from an earlier age that we can learn from today. Previous titles in the series are Farnsworth's Classical English Rhetoric, Farnsworth's Classical English Metaphor, and Farnsworth's Classical English Style. Each one is for readers seeking a deeper understanding of communication by seeing how it is done at its best"--
"Learn the art of argument from the masters. Here is a curated collection, with hundreds of examples, of reasoning and debate from the golden age of debate in England and America. Leave it to Farnsworth to illuminate principles of debate through examples by masters of the language. Thomas Paine, Abraham Lincoln, Jonathan Swift, Edmund Burke, Winston Churchill, and many others, each provide exemplars of reasoning, persuasion, and aggression. From "Insult and Invective" to "Reductio ad Absurdum," from "Ad Hominem Arguments," to "Deduction and Induction" (and the final chapter "Futility"), readers will see how to craft winning arguments of their own. A readable reference, the book is also meant for fun. "It shows masters of the language," as Farnsworth writes, "crossing analytical swords and exchanging abuse when those things were done with more talent and dignity than is common today. They made argument a spectator sport of lasting value and interest." Farnsworth's Classical English Argument is the fourth book in a series about wise use of words from an earlier age that we can learn from today. Previous titles in the series are Farnsworth's Classical English Rhetoric, Farnsworth's Classical English Metaphor, and Farnsworth's Classical English Style. Each one is for readers seeking a deeper understanding of communication by seeing how it is done at its best"--
In this book, criminologist and experienced educator John E. Eck draws on decades of academic and professional writing experience to provide an analytical toolkit for clear professional writing. This book focuses on the essential objective of clarity, and addresses topics seldom addressed in other books, such as ethics beyond plagiarism; writing with co-authors; organizing complex ideas; using analytics to improve writing; crafting strong beginnings and endings; using examples and metaphors; and integrating tables, charts, and diagrams. As universities continue to demand writing-intensive courses in the social sciences, this book is indispensable in university settings and throughout a professional career. The reader will use the practical advice, examples, and exercises in this book to master a method for clear writing unimpaired by stereotypical academic jargon. The book will help both new and seasoned researchers seeking to translate their work into a clear and accessible presentation for both professional and lay audiences. Designed for and field-tested with graduate and advanced undergraduate students, this lively and easy-to-read book will work for courses taught in criminology, sociology, geography, and other social sciences, and will enable scholars to extend and broaden the impact of their research.
The leading guide to clear writing!--StartFragment --—and clear thinking!--StartFragment --—in the legal profession for more than two decades, now newly updated. Admirably clear, concise, down-to-earth, and powerful—all too often, legal writing embodies none of these qualities. Its reputation for obscurity and needless legalese is widespread. Since 2001, Bryan A. Garner’s Legal Writing in Plain English has helped address this problem by providing lawyers, judges, paralegals, law students, and legal scholars with sound advice and practical tools for improving their written work. Now the leading guide to clear writing in the field, this indispensable volume encourages legal writers to challenge conventions and offers valuable insights into the writing process: how to organize ideas, create and refine prose, and improve editing skills. Accessible and witty, Legal Writing in Plain English draws on real-life writing samples that Garner has gathered through decades of teaching experience. Trenchant advice covers all types of legal materials, from analytical and persuasive writing to legal drafting, and the book’s principles are reinforced by sets of basic, intermediate, and advanced exercises in each section. For this third edition, Garner has retained the structure of the previous versions, with updates and new material throughout. There are new sections on making your writing vivid and concrete and on using graphics to enhance your argument. The coverage and examples of key topics such as achieving parallelism, avoiding legalese, writing effective openers and summaries, and weaving quotations into your text have also been expanded. And the sample legal documents and exercises have been updated, while newly added checklists provide quick summaries of each section. Altogether, this new edition will be the most useful yet for legal professionals and students seeking to improve their prose.
The standard style guide of the Christian publishing industry, The Christian Writer’s Manual of Style, 4th Edition, compiled by veteran Zondervan editor Robert Hudson, contains clear guidance on style questions related to religious writing, including many topics not addressed in other references or online. Nearly half of this fourth revision is made up of new material, including information about turning blogs into books, the effects of digital media on writing, “adverbial doubles,” “vanishing accents,” word-choice strategies, endorser guidelines, and much more. It also contains an all-new “Word List” which makes up more than a third of the book. The most needful information remains—entries on capitalization, abbreviation, citations, fictional dialogue, and more—but it has all been updated to keep pace with changes in English language usage. This fourth edition also corresponds with The Chicago Manual of Style, 16th Edition (2010), though it isn’t afraid to chart new territory where that reference is unhelpful on issues of religious writing. Comprehensive yet easy-to-use, The Christian Writer’s Manual of Style, 4th Edition, is a go-to resource for Christian authors, pastors, teachers, copy writers, editors, proofreaders, publishing and ministry professionals, executive assistants, and students—anyone who writes or edits as a part of their work or study—and for grammar aficionados everywhere.
What if all the things you wanted in life could actually be yours? It sounds too good to be true, but you can get what you want in life. How easily we are misled by others is a major hurdle to realizing our maximum potential. This book shows you how to put yourself first and live your ideal life. How? Through Dark Psychology. Are you constantly burdened by others controlling you? Do you feel you are being forced to do things or be versions of yourself you don't like? Or, have you wanted to go out with someone and wondered, "I have no idea how to talk to her!" We are taught to be afraid of things we do not understand. Most of us feel that if everyone else says it is terrible, it must be so. But dark psychology is not bad. It is your roadmap to success. So many of us even believe that some organizations are terrible because they dabble in dark psychology. When you learn the truths, you'll know that all of us can wield the powers therein. Not just the Freemasons. Of course, we'll learn all about them in this book too. Plus, this book will equip you with the magicking power to read, understand, and control how others think. In the same breath, you will also learn to defend yourself. Here's just a taste of what is waiting for you inside this book: What is dark psychology, and is there any history to it? An introduction to Freemasonry. Who comprises the mythical dark triad? How do you identify dark triad personalities? What is persuasion, and how is it used the world over? Is hypnotism legitimate? And so much more! As you learn, you will find that dark psychology can put the reigns of your life entirely in your hands. So, what are you waiting for? Click "Buy," and begin the journey into owning your life, one secret persuasive tactic at a time!
The most original and authoritative voice of today's English lexicography presents a fully revised new edition of his beloved usage dictionary When Bryan Garner published the first edition of A Dictionary of Modern American Usage in 1999, the book quickly became one of the most influential style guides ever written for the English language. After four previous editions and over twenty years, our language has evolved in many ways, and the powerful tool of big data has revolutionized lexicography. This extensively revised new edition fully captures these changes, featuring a thousand new entries and over two hundred replacement entries, thoroughly updated usage data and ratios on word frequency based on the Google Ngram Viewer, a more balanced coverage of World Englishes, not just American and British, and the inclusion of gender-neutral language. However, one thing has not changed: in no sense is this a regular dictionary but a masterpiece of lexicography written with wit and personality by one of the preeminent authorities on the English language. To put it in David Foster Wallace's words, Garner's discussion of rhetoric and style still borders on genius. From the (lost) battle between self-deprecating and self-depreciating to the misuse of it's for its, from the variant spelling patty-cake taking over pat-a-cake in American English to the singular uses of they, Garner explains the nuances of grammar and vocabulary and the linguistic blunders to which modern writers and speakers are prone, whether in word choice, syntax, phrasing, punctuation, or pronunciation. His empirical approach liberates English from two extremes: from the purists who maintain that split infinitives and sentence-ending prepositions are malfeasances and from the linguistic relativists who believe that whatever people say or write must necessarily be accepted. The purpose of Garner's dictionary is to help writers, editors, and speakers use the language effectively. And it does so in a playful and persuasive way that will help you sound grammatical but relaxed, refined but natural, correct but unpedantic.
