The Disenchantments

The Disenchantments

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  • Author: Nina LaCour
  • Publisher: Penguin
  • ISBN: 0142423912
  • Category : Young Adult Fiction
  • Languages : en
  • Pages : 337

From the award-winning, bestselling author of Hold Still and We Are Okay. (Cover may vary) Colby and Bev have a long-standing pact: graduate, hit the road with Bev's band, and then spend the year wandering around Europe. But moments after the tour kicks off, Bev makes a shocking announcement: she's abandoning their plans - and Colby - to start college in the fall. But the show must go on and The Disenchantments weave through the Pacific Northwest, playing in small towns and dingy venues, while roadie- Colby struggles to deal with Bev's already-growing distance and the most important question of all: what's next? Morris Award–finalist Nina LaCour draws together the beauty and influences of music and art to brilliantly capture a group of friends on the brink of the rest of their lives.


The Disenchantments of Love

The Disenchantments of Love

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  • Author: María de Zayas y Sotomayor
  • Publisher: SUNY Press
  • ISBN: 9780791432815
  • Category : Fiction
  • Languages : en
  • Pages : 420

Published in 1647, these ten tales are among the earliest narratives in Western literature to focus on women's experiences and points of view in love relationships.


Cultural Disenchantments

Cultural Disenchantments

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  • Author: Douglas R. Holmes
  • Publisher: Princeton University Press
  • ISBN: 0691225753
  • Category : Social Science
  • Languages : en
  • Pages : 255

Douglas Holmes develops the concept of peasant-worker society to analyze a kind of social formation that has until now gone largely unrecognized and unstudied. His book portrays the dissonant crosscurrents created at the interface of urban industrial and rural peasant spheres. Examining the region of Friuli in northeast Italy, it shows how wage labor was adopted by country folk who maintained ties to small-scale cultivation and indigenous traditions. Holmes draws on the Weberian notion of the "disenchantment of the world" to examine the cultural issues that animate peasant-worker life. What emerges is a vivid picture of the economic, political, religious, and ethnic struggles that infuse the peasant-worker milieu, as traditional representations of reality are pitted against bureaucratic definitions and formulas emanating from Church, state, and market institutions. In addition to providing a general theoretical framework for the analysis of peasant-worker society and culture, Cultural Disenchantments is the first anthropological study of Friuli to be published in English. As such, it elaborates on the historical insights developed by Carlo Ginzburg in his famous study of sixteenthcentury agrarian cults and folk traditions in Friuli.


The Age of Disenchantments

The Age of Disenchantments

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  • Author: Aaron Shulman
  • Publisher: HarperCollins
  • ISBN: 0062484214
  • Category : History
  • Languages : en
  • Pages : 470

A gripping narrative history of Spain’s most brilliant and troubled literary family—a tale about the making of art, myth, and legacy—set against the upheaval of the Spanish Civil War and beyond In this absorbing and atmospheric historical narrative, journalist Aaron Shulman takes us deeply into the circumstances surrounding the Spanish Civil War through the lives, loves, and poetry of the Paneros, Spain’s most compelling and eccentric family, whose lives intersected memorably with many of the most storied figures in the art, literature, and politics of the time—from Neruda to Salvador Dalí, from Ava Gardner to Pablo Picasso to Roberto Bolaño. Weaving memoir with cultural history and biography, and brought together with vivid storytelling and striking images, The Age of Disenchantments sheds new light on the romance and intellectual ferment of the era while revealing the profound and enduring devastation of the war, the Franco dictatorship, and the country’s transition to democracy. A searing tale of love and hatred, art and ambition, and freedom and oppression, The Age of Disenchantments is a chronicle of a family who modeled their lives (and deaths) on the works of art that most inspired and obsessed them and who, in turn, profoundly affected the culture and society around them.


Disenchantments

Disenchantments

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  • Author: Wolfgang Mieder
  • Publisher: University of Vermont Press
  • ISBN:
  • Category : Fiction
  • Languages : en
  • Pages : 232

Contains poetic interpretations (the majority for older students) of traditional fairy tales such as The Frog Prince, Snow White, Sleeping Beauty and Rapunzel. Poets include Randall Jarrell, Robert Graves, Anne Sexton, Sylvia Plath, and Aileen Fisher. Secondary.


Friendship betrayed

Friendship betrayed

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  • Author: María de Zayas y Sotomayor
  • Publisher: Bucknell University Press
  • ISBN: 9780838753446
  • Category : History
  • Languages : es
  • Pages : 208

This is a bilingual edition of the only extant play, a comedy, written by the seventeenth-century Spanish writer, Maria de Zayas. This edition makes the play available to a wide audience of specialists and nonspecialists in the field of Spanish Golden Age theater.


The Problem of Disenchantment

The Problem of Disenchantment

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  • Author: Egil Asprem
  • Publisher: SUNY Press
  • ISBN: 1438469926
  • Category : Religion
  • Languages : en
  • Pages : 662

Challenges the conventional view of a “disenchanted” and secular modernity, and recovers the complex relation that exists between science, religion, and esotericism in the modern world. Max Weber famously characterized the ongoing process of intellectualization and rationalization that separates the natural world from the divine (by excluding magic and value from the realm of science, and reason and fact from the realm of religion) as the “disenchantment of the world.” Egil Asprem argues for a conceptual shift in how we view this key narrative of modernity. Instead of a sociohistorical process of disenchantment that produces increasingly rational minds, Asprem maintains that the continued presence of “magic” and “enchantment” in people’s everyday experience of the world created an intellectual problem for those few who were socialized to believe that nature should contain no such incalculable mysteries. Drawing on a wide range of early twentieth-century primary sources from theoretical physics, occultism, embryology, radioactivity, psychical research, and other fields, Asprem casts the intellectual life of high modernity as a synchronic struggle across conspicuously different fields that shared surprisingly similar intellectual problems about value, meaning, and the limits of knowledge. “The Problem of Disenchantment is, in its entirety, extraordinarily well researched, argued, and written—representing at once the most complete and nuanced treatment of the notion of disenchantment within this network of scientific, religious, philosophical, and esoteric discourses and currents.” — Nova Religio


The Making of Heritage

The Making of Heritage

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  • Author: Camila Del Marmol
  • Publisher: Routledge
  • ISBN: 1135013004
  • Category : Social Science
  • Languages : en
  • Pages : 205

This volume explores the process of heritage making and its relation to the production of touristic places, examining several case studies around the world. Most existing literature on heritage and tourism centers either on its managerial aspects, the tourist experience, or issues related to inequality and identity politics. This volume instead establishes theoretical links between analyses of heritage and the production and reproduction of places in the context of the global tourist trade. The approach adopted here is to explore the production of heritage as a complex process shaped by local and global discourses that can have a deep impact on several policies and legislations. Heritage itself has now become not only a global discourse, but also a global practice, which may eventually lead to the use of heritage as a field for hegemony. From these perspectives, heritage making may be incorporated in the world economy, mainly through the global tourism trade. The chapters in this book stress the need for identifying the intrinsic political implications of these processes, relocating their study in political, economic and social settings. Combined with a diversified set of theoretical approaches and research methods, guided by a common thematic rationale, The Making of Heritage is at the forefront of current debates about heritage.


Disenchantment

Disenchantment

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  • Author: Charles Edward Montague
  • Publisher:
  • ISBN:
  • Category : War
  • Languages : en
  • Pages : 300


The Myth of Disenchantment

The Myth of Disenchantment

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  • Author: Jason Ananda Josephson Storm
  • Publisher: University of Chicago Press
  • ISBN: 022640336X
  • Category : History
  • Languages : en
  • Pages : 428

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.