Die Passion hinter dem Spiel | The Passion Behind the Play

Die Passion hinter dem Spiel | The Passion Behind the Play

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  • Author: Sebastian Schulte
  • Publisher: Verlag Theater der Zeit
  • ISBN: 3957494508
  • Category : Performing Arts
  • Languages : de
  • Pages : 160

Lange bevor die Passionsspiele in Oberammergau alle zehn Jahre ins allgemeine Bewusstsein vordringen, haben die Vorbereitungen im Ort bereits begonnen. Bühnenbildner Stefan Hageneier entwirft Pläne, nach denen die Bühne des Passionstheaters gestaltet wird. Chor und Orchester beginnen unter der Leitung von Markus Zwink zu proben. Und Spielleiter Christian Stückl macht sich Gedanken über die Textfassung und die Besetzung von Jesus, Kaiphas und der anderen Hauptrollen. Dieses Fotobuch dokumentiert die Entstehung der Passionsspiele 2022. Sebastian Schulte ist selbst Oberammergauer und hat den gesamten Arbeitsprozess aus der Innenperspektive miterlebt und mit seiner Kamera festgehalten. Seine Bilder entstanden mitten auf der Bühne, mitten auf den Proben.


The Passion Play at Ober-Ammergau

The Passion Play at Ober-Ammergau

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  • Author:
  • Publisher:
  • ISBN:
  • Category : Oberammergauer Passionsspiel
  • Languages : en
  • Pages :


The Passion Play at Oberammergau

The Passion Play at Oberammergau

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  • Author:
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  • Category : Oberammergauer Passionsspiel
  • Languages : en
  • Pages : 920


Staging Spectatorship in the Plays of Philip Massinger

Staging Spectatorship in the Plays of Philip Massinger

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  • Author: Professor Joanne Rochester
  • Publisher: Ashgate Publishing, Ltd.
  • ISBN: 1409475824
  • Category : Literary Criticism
  • Languages : en
  • Pages : 186

The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.


The Oberammergau Passion Play

The Oberammergau Passion Play

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  • Author: Vernon Heaton
  • Publisher: Robert Hale
  • ISBN:
  • Category : Oberammergau passion-play
  • Languages : en
  • Pages : 184


Shakespeariana ...

Shakespeariana ...

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  • ISBN:
  • Category :
  • Languages : en
  • Pages : 338


Shakespeariana

Shakespeariana

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  • Author: Appleton Morgan
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages : 296


A Game of Their Own

A Game of Their Own

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  • Author: Jennifer Ring
  • Publisher: U of Nebraska Press
  • ISBN: 080326996X
  • Category : Sports & Recreation
  • Languages : en
  • Pages : 390

In 2010 twenty American women were selected to represent Team USA in the fourth Women’s Baseball World Cup in Caracas, Venezuela; most Americans, however, had no idea such a team even existed. A Game of Their Own chronicles the largely invisible history of women in baseball and offers an account of the 2010 Women’s World Cup tournament. Jennifer Ring includes oral histories of eleven members of the U.S. Women’s National Team, from the moment each player picked up a bat and ball as a young girl to her selection for Team USA. Each story is unique, but they share common themes that will resonate with young female players and fans alike: facing skepticism and taunts from players and parents when taking the batter’s box or the pitcher’s mound, self-doubt, the unceasing pressure to switch to softball, and eventual acceptance by their baseball teammates as they prove themselves as ballplayers. These racially, culturally, and economically diverse players from across the country have ignored the message that their love of the national pastime is “wrong.” Their stories come alive as they recount their battles and most memorable moments playing baseball—the joys of exceeding expectations and the pleasure of honing baseball skills and talent despite the lack of support. With exclusive interviews with players, coaches, and administrators, A Game of Their Own celebrates the U.S. Women’s National Team and the excellence of its remarkable players. In response to the jeer “No girls allowed!” these are powerful stories of optimism, feistiness, and staying true to oneself.


Christian Jewish Relations

Christian Jewish Relations

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  • Author:
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  • ISBN:
  • Category : Christianity and other religions
  • Languages : en
  • Pages : 280


Post-war British Drama: Looking Back in Gender

Post-war British Drama: Looking Back in Gender

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  • Author: Michelene Wandor
  • Publisher: Routledge
  • ISBN: 1134773110
  • Category : Performing Arts
  • Languages : en
  • Pages : 292

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.