eBook downloads, eBook resources & eBook authors
Frederick B. Chary's account of his experiences in Bulgaria as the first American graduate student to do research there after the resumption of relations, and thirty years of research and teaching in the country until the fall of communism in 1989.
Chutzpah and Naïveté is about my experiences in Bulgaria as the first American graduate student to do research there after the resumption of relations, and thirty years of research and teaching in the country until the fall of Communism in 1989.
Joyce Dalsheim's ethnographic study takes a ground-breaking approach to one of the most contentious issues in the Middle East: the Israeli settlement project. Based on fieldwork in the settlements of the Gaza Strip and surrounding communities during the year prior to the Israeli withdrawal, Unsettling Gaza poses controversial questions about the settlement of Israeli occupied territories in ways that move beyond the usual categories of politics, religion, and culture. The book critically examines how religiously-motivated settlers think about living with Palestinians, how they express theological uncertainty, and how they imagine the future beyond the confines of territorial nationalism. This is the first study to place radical, right-wing settlers and their left-wing and secular opposition in the same analytic frame. Dalsheim shows that the intense antagonism between these groups disguises fundamental similarities. Her analysis reveals the social and cultural work achieved through a politics of mutual denunciation. With theoretical implications stretching far beyond the boundaries of Israel/Palestine, Unsettling Gaza's counter-intuitive findings shed fresh light on politics and identity among Israelis and the troubling conflicts in Israel/Palestine, as well as providing challenges and insight into the broader questions that exist at the interface between religiosity and formations of the secular.
Discover the secret behind how Israel, a tiny country with the highest concentration of start-ups per capita worldwide, is raising generations of entrepreneurs who are disrupting markets around the globe and bringing change to the world. Dubbed “Silicon Wadi,” Israel ranks third in the World Economic Forum Innovation Rating. Despite its small size, it attracts more venture capital per capita than any other country on the planet. What factors have led to these remarkable achievements, and what secrets do Israeli tech entrepreneurs know that others can learn? Tech insider Inbal Arieli goes against the common belief that Israel’s outstanding economic accomplishments are the byproduct of its technologically advanced military or the result of long-standing Jewish traditions of study and questioning. Rather, Arieli gives credit to the unique way Israelis are raised in a culture that supports creative thinking and risk taking. Growing up within a tribal-like community, Israelis experience childhoods purposely shaped by challenges and risks—in a culture that encourages and rewards chutzpah. This has helped Israelis develop the courage to pursue unorthodox, and often revolutionary, approaches to change and innovation and is the secret behind the country’s economic success. While chutzpah has given generations of Israelis the courage to break away from conventional thinking, the Israeli concept balagan—messiness in Hebrew—is at the root of how Israelis are taught to interact with the world. Instead of following strict rules, balagan fosters ambiguity, encouraging the development of the skills necessary for dealing with the unpredictability of life and business. Living with balagan provides Israelis with the opportunity to constantly practice the soft skills defined by the World Economic Forum as the Skills for the Future, as balagan promotes creativity, problem-solving, and independence—key characteristics of successful entrepreneurs. By revealing the unique ways in which Israelis parent, educate and acculturate, Chutzpah offers invaluable insights and proven strategies for success to aspiring entrepreneurs, parents, executives, innovators, and policymakers.
Competing in the high-tech computer market is a lot like a war -- especially if you work at Microsoft. Bill Gates's gladiators -- his engineers, evangelists, and programmers -- were famous for seizing new terrain and new technology, converting nonbelievers, and always winning . . . no matter what the cost. No one took the lessons of Microsoft more to heart than Craig Eisler, Eric Engstrom, and Alex St. John, a trio of software engineers who were willing to do almost anything to conquer a market of their own, even if that meant disregarding procedure and protocol. Michael Drummond gained exclusive access to their story, and the result -- in this updated edition -- is a revealing glimpse into the world's most successful company. Renegades of the Empire isn't just a tale of technology and power -- it's a story of fascinating science, of high-tech boys and their toys. Even more, though, it's a tantalizing, behind-the-scenes look at how three engineers conquered an empire.
Reveals the mass mobilization tactics that helped free Soviet Jews and reshaped the Jewish American experience from the Johnson era through the Reagan–Bush years What do these things have in common? Ingrid Bergman, Passover matzoh, Banana Republic®, the fitness craze, the Philadelphia Flyers, B-grade spy movies, and ten thousand Bar and Bat Mitzvah sermons? Nothing, except that social movement activists enlisted them all into the most effective human rights campaign of the Cold War. The plight of Jews in the USSR was marked by systemic antisemitism, a problem largely ignored by Western policymakers trying to improve relations with the Soviets. In the face of governmental apathy, activists in the United States hatched a bold plan: unite Jewish Americans to demand that Washington exert pressure on Moscow for change. A Cold War Exodus delves into the gripping narrative of how these men and women, through ingenuity and determination, devised mass mobilization tactics during a three-decade-long campaign to liberate Soviet Jews—an endeavor that would ultimately lead to one of the most significant mass emigrations in Jewish history. Drawing from a wealth of archival sources including the travelogues of thousands of American tourists who smuggled aid to Russian Jews, Shaul Kelner offers a compelling tale of activism and its profound impact, revealing how a seemingly disparate array of elements could be woven together to forge a movement and achieve the seemingly impossible. It is a testament to the power of unity, creativity, and the unwavering dedication of those who believe in the cause of human rights.
From the late editor, writer, and critic, one of the great chroniclers of the art, fashion, and celebrity scenes: an expansive collection of thirty-five essays that offer an intimate look into the worlds of some of the most important and well-known artists, designers, and actors of our time. For more than three decades, Ingrid Sischy's profiles and critical essays have been admired for their keen observation and playful style. Many of the pieces that appeared in The New York Times Magazine, The New Yorker, and Vanity Fair from the 1980s to 2015 are gathered here for the first time, including her masterful profiles of Nicole Kidman, Kristen Stewart, Miuccia Prada, Calvin Klein, Jeff Koons, Jean Pigozzi, Alice Neel, and Francesco Clemente, among others, as well as her exclusive interview with John Galliano after his career nose-dived in 2011. Whether writing about a young Alexander McQueen, the photography of Robert Mapplethorpe, Sebastião Salgado, Cindy Sherman, or Bob Richardson, or the Japanese musical theater group Takarazuka Revue, Sischy's close attention to the unexpectedly telling detail results in vividly crafted, incisive portraits of individuals and their works. Here is a unique collection that gives readers unprecedented access to a dazzling range of artists from one of the greatest cultural critics of a generation.
This is a book about the creative dynamics that arise from the interrelation of writing, teaching writing, and ways of reading - and the scholarship and administrative issues engendered by both. To regard composition studies as a creative art is to engage in a process of intellectual or aesthetic free play, and then to translate the results of this play into serious work that yet retains the freedom and playfulness of its origins. The book is fueled by a mixture of faith in the fields that compose composition studies, hope that the efforts of composition teachers can make a difference, and a sense of community in its broadest meaning.
