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Now, with the knowledge written in this book, anyone can have the precious experience of talking to their own inner 'divine mother' and be prepared for the birth of Christ within which is the beginning of the direct path to absolute liberation."
Devotion to the crucified Christ is one of the most familiar, yet most disconcerting artifacts of medieval European civilization. How and why did the images of the dying God-man and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Rachel Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art. She considers the fear occasioned by the disappointed hopes of medieval Christians convinced that the apocalypse would come soon, the revulsion of medieval Jews at being baptized in the name of God born from a woman, the reform of the Church in light of a new European money economy, the eroticism of the Marian exegesis of the Song of Songs, and much more. Devotion to the crucified Christ is one of the most familiar yet disconcerting artifacts of medieval European civilization. How and why did the images of the dying God-man and his grieving mother achieve such prominence, inspiring unparalleled religious creativity and emotional artistry even as they fostered such imitative extremes as celibacy, crusade, and self-flagellation? Magisterial in style and comprehensive in scope, From Judgment to Passion is the first systematic attempt to explain the origins and initial development of European devotion to Christ in his suffering humanity and Mary in her compassionate grief. Rachel Fulton examines liturgical performance, doctrine, private prayer, scriptural exegesis, and art in order to illuminate and explain the powerful desire shared by medieval women and men to identify with the crucified Christ and his mother. The book begins with the Carolingian campaign to convert the newly conquered pagan Saxons, in particular with the effort to explain for these new converts the mystery of the Eucharist, the miraculous presence of Christ's body at the Mass. Moving on to the early eleventh century, when Christ's failure to return on the millennium of his Passion (A.D. 1033) necessitated for believers a radical revision of Christian history, Fulton examines the novel liturgies and devotions that arose amid this apocalyptic disappointment. The book turns finally to the twelfth century when, in the wake of the capture of Jerusalem in the First Crusade, there occurred the full flowering of a new, more emotional sensibility of faith, epitomized by the eroticism of the Marian exegesis of the Song of Songs and by the artistic and architectural innovations we have come to think of as quintessentially high medieval. In addition to its concern with explaining devotional change, From Judgment to Passion presses a second, crucial question: How is it possible for modern historians to understand not only the social and cultural functions but also the experience of faith—the impulsive engagement with the emotions, sometimes ineffable, of prayer and devotion? The answer, magnificently exemplified throughout this book's narrative, lies in imaginative empathy, the same incorporation of self into story that lay at the heart of the medieval effort to identify with Christ and Mary in their love and pain.
Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer. Mary and the Art of Prayer opens with a history of the devotion of the Hours or “Little Office” of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.
A convincing and cogent argument refuting the Assumption of the Virgin Mary in Church dogma and revealing the true father of Jesus • Provides historical and archaeological evidence of a tomb of the Virgin Mary • Introduces the theory that Jesus's father was Antipater, son of Herod What became of the Virgin Mary after the Crucifixion is one of the greatest mysteries of the Bible. Although it appears nowhere in the Bible, the belief in the Assumption-Mary's bodily ascension into heaven-is accepted by many Christians as historical fact. Some, however, believe that Mary died naturally and was buried in a tomb in Jerusalem's Valley of Jehosaphat. Others say that her final resting place was in the Roman ruins of Ephesus in Asia Minor. In 1950 Giovanni Benedetti, an archaeologist attached to the Vatican museum, found a fourth-century manuscript indicating that Mary had been smuggled out of Palestine to an island off the west coast of Britain. According to Benedetti's findings, England's first Bishop, St. Augustine, discovered Mary's tomb there in A.D. 597. The reigning pope, Gregory the Great, forbade St. Augustine to speak of this, initiating a conspiracy of silence that lasted 1,400 years. Similarly, as Benedetti was about to publish his findings, he was instructed by the Vatican to discontinue his research. Soon after, the Roman Catholic Church declared the Assumption dogma. In The Virgin Mary Conspiracy Graham Phillips unravels the truth behind this centuries-old ecclesiastical cover-up and discovers what may be Mary's final resting place. During his extensive research Phillips also discovered another controversial theory revealing that Jesus was the son of Antipater, the son of Herod, and therefore the true heir to Herod's throne, thus explaining his title of "King of the Jews."
Excerpt from The Virgin Birth of Christ: Being Lectures Delivered Under the Auspices of the Bible Teachers' Training School, New York, April, 1907 These lectures were delivered during the month of April, 1907, in the Chapel of the Fifth Avenue Presby terian Church, New York, under the auspices of the Bible Teachers' Training School of that city, and they are now published, practically as prepared for delivery, under the same auspices. The author regrets that their revision for the press had to be undertaken at a distance from facilities for checking quotations and references in his pages; but he trusts that these, if not so copious as he could wish, will be found generally correct. The papers summarised in the Appendix came into the au thor's hands in New York after his own work was com pleted, and he has made no use of them in the text. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The mother of Christ has taken various forms throughout the centuries--among them are the Blessed Virgin, the Queen of Heaven, the Madonna, and the spiritual mother of all the faithful. Yet despite her high enthronement in the Catholic Church, Mary, as both chaste goddess and earth mother, has her origins in pre-Christian religions, of which the chief deities were female. In this masterly exploration of the cult of Mary, Geoffrey Ashe examines ancinet myths, theology, history, literature, and feminine spirituality to throw new light on the role of Mary in today's Church. Tracing the cult from its origins to the present day with the resubordination of Mary to Christ, this remarkable book also illuminates the spiritual battle of the sexes, a conflict that remains unresolved to this day.
Incredibly revealing and edifying background of Our Lady, her parents and ancestors, St. Joseph, plus other people who figured into the coming of Christ. Many facts described about the Nativity and early life of Our Lord, as well as the final days of the Blessed Mother–all from the visions of this great mystic.
Long overlooked by scholars, this seventh-century "Life of the Virgin," attributed to Maximus the Confessor, is the earliest complete Marian biography. Originally written in Greek and now surviving only in Old Georgian, it is now translated for the first time into English. It is a work that holds profound significance for understanding the history of late ancient and medieval Christianity, providing a rich source for understanding the history of Christian piety.This "Life "is especially remarkable for its representation of Mary's prominent involvement in her son's ministry and her leadership of the early Christian community. In particular, it reveals highly developed devotion to Mary's compassionate suffering at the Crucifixion, anticipating by several centuries an influential medieval style of devotion known as "affective piety" whose origins generally have been confined to the Western High Middle Ages.
