Cello Practice, Cello Performance

Cello Practice, Cello Performance

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  • Author: Miranda Wilson
  • Publisher: Rowman & Littlefield
  • ISBN: 1442246782
  • Category : Music
  • Languages : en
  • Pages : 155

What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.


Cello Practice

Cello Practice

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  • Author: Philippe Malgrat
  • Publisher: BoD - Books on Demand
  • ISBN: 2322245089
  • Category : Music
  • Languages : fr
  • Pages : 68

This guide is intented for adult music loverswho want to learn to play an instrument avoiding as much as possible theoretical academic lessons. It is mostly a collection of useful information, adapted to the present time, to learn cello playing by your own after a few preliminary lessons. Then, after one or two years of practice, you will reach a sufficient level to approach the baroque German, French and Italian repertoire as well as pieces of variety, what I did. You can even play at home with a virtual accompaniment that will adapt to your rhythm, fruit of the latest research of IRCAM (French Research Institute of Music). This guide includes practical considerations, often unknown, such as the transport of your instrument by plane, the free and legal downloading of scores, the sites where to find a teacher who will come to your home. For a total monthly budget of less than $ 100 for the first three months, including the first lessons, all this is accessible to you !


Teaching Violin, Viola, Cello, and Double Bass

Teaching Violin, Viola, Cello, and Double Bass

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  • Author: Dijana Ihas
  • Publisher: Taylor & Francis
  • ISBN: 1000970507
  • Category : Music
  • Languages : en
  • Pages : 572

Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string instruments. Co-written by three performance and pedagogy experts, each specializing in different string instruments, this book is applicable to all levels of instruction. Essays on historical pedagogues are clearly structured to allow for easy comprehension of their philosophies, pedagogical practices, and unique contributions. This book concludes with a section on application through comparative analysis of the historical methods and approaches. With coverage from the eighteenth century to the present, this book will be invaluable for teachers and students of string pedagogy and general readers who wish to learn more about string pedagogy’s rich history, diverse content, and modern developments.


Cello Secrets

Cello Secrets

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  • Author: Brian Hodges
  • Publisher: Rowman & Littlefield
  • ISBN: 1538102870
  • Category : Music
  • Languages : en
  • Pages : 192

With each technique carefully explained and illustrated, this book serves as an accessible resource for all cello players, from talented teenagers to college students, to conservatory professionals. It guides advanced students through technical maintenance and performance preparation, helping them beyond what is often covered in lessons.


Trills in the Bach Cello Suites

Trills in the Bach Cello Suites

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  • Author: Jerome Carrington
  • Publisher: University of Oklahoma Press
  • ISBN: 0806185341
  • Category : Music
  • Languages : en
  • Pages : 218

Offers performers, teachers and students new insights into ornamentation. An important new reference work that has earned praise from America’s leading Bach scholar and an impressive list of distinguished cellists. The Cello Suites of Johann Sebastian Bach contain some one hundred trills, many open to diverse execution and more than half sparking controversy among musicians. Now accomplished cellist Jerome Carrington brings together and examines historically informed interpretations of the trills and compares them with contemporary performance practice. Carrington collects and annotates every trill in the Cello Suites, examining each ornament individually to find the most historically accurate solution for its execution. For determining the form of each trill, he offers a method that includes analysis of harmonic structure. Because no autograph copy of the Cello Suites has survived, he undertakes a detailed study of the manuscript of the Lute Suite in G minor, which Bach adapted from Cello Suite No. 5, as a reference for correcting errors and verifying harmonic and rhythmic details. Bursting with new ideas, Trills in the Bach Cello Suites offers insight for performers and music theorists alike. It will aid in the interpretation of these classic works as it renews our appreciation for Bach’s genius.


One Hundred Years of Violoncello

One Hundred Years of Violoncello

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  • Author: Valerie Walden
  • Publisher: Cambridge University Press
  • ISBN: 9780521607612
  • Category : Music
  • Languages : en
  • Pages : 338

The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.


Practice for Performance

Practice for Performance

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  • Author: Daniel Morganstern
  • Publisher: Mel Bay Publications
  • ISBN: 9780786643646
  • Category : Music
  • Languages : en
  • Pages : 40

Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. The discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. The examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.


Gaspar Cassadó

Gaspar Cassadó

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  • Author: Gabrielle Kaufman
  • Publisher: Taylor & Francis
  • ISBN: 1317130960
  • Category : Music
  • Languages : en
  • Pages : 332

Barcelonian Gaspar Cassadó (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassadó, containing the results of seven years of research into his life and legacy, after following the cellist’s steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassadó’s creative output: composition, transcription and performance, especially focusing on Cassadó’s plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassadó’s role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassadó’s works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassadó’s works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer’s significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassadó: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.


A Guide to Practicing David Popper’S ‘Hohe Schule’ Etudes

A Guide to Practicing David Popper’S ‘Hohe Schule’ Etudes

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  • Author: Benjamin Whitcomb
  • Publisher: AuthorHouse
  • ISBN: 1546251014
  • Category : Music
  • Languages : en
  • Pages : 424

There are few works in the cello repertoire as significant as the etudes by David Popper. They are practiced, studied, and learned by cellists all over the world as a sort of rite of passage to the advanced cello techniques. This has been the case since their publication, and there is no sign that this is going to change in the foreseeable future. Auditions for such things as youth orchestras, festivals, competitions, or university admissions frequently require the performance of one or more Popper etudes. Learning these etudes is a wonderful way to prepare yourself for the advanced cello repertoire. However, tackling them on your own can be a daunting task. Several authors have published their ideas and suggestions for practicing these etudes whether as articles, books, or videos. What makes this guide different is that it shows you step-by-step exactly how you can effectively practice all the difficult spots in each etude such that you will surely learn and master each one at a faster rate than you would without these suggestions and exercises.


Playing the Cello, 1780-1930

Playing the Cello, 1780-1930

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  • Author: George Kennaway
  • Publisher: Routledge
  • ISBN: 1317079809
  • Category : Music
  • Languages : en
  • Pages : 320

This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.