PDF Hill-side and Border Sketches Download
- Author: William Hamilton Maxwell
- Publisher:
- ISBN:
- Category : Folklore
- Languages : en
- Pages : 354
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The conditions for non-EU migrant workers to gain legal entry to Britain, France, and Germany are at the same time similar and quite different. To explain this variation this book compares the fine-grained legal categories for migrant workers in each country, and examines the interaction of economic, social, and cultural rationales in determining migrant legality. Rather than investigating the failure of borders to keep unauthorized migrants out, the author highlights the different policies of each country as "border-drawing" actions. Policymakers draw lines between different migrant groups, and between migrants and citizens, through considerations of both their economic utility and skills, but also their places of origin and prospects for social integration. Overall, migrant worker legality is arranged against the backdrop of the specific vision each country has of itself in an economically competitive, globalized world with rapidly changing welfare and citizenship models.
Provides complete instructions for crocheting over three hundred borders and band stitch designs, and includes photographs of stitches with an accompanying diagram illustrating stitch placement within the band or border design.
These timeless designs can be used by craftspeople, artists, needleworkers and all those interested in creating their own original ideas and projects. Judy Balchin has put together a selection of wonderful borders which can be used to embellish crafts, embroidery, ceramics, art and more.
Incredibly rich variety: chains, vines, reeds, florals, pipes, bamboo, lanterns, abstracts, ships, calligraphy, reeds, feathers, fans, nets, mazes, yang and yin, lutes, tortoises, many others! 463 black-and-white and 96 full-color illustrations.
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.