Art and Dance in Dialogue

Art and Dance in Dialogue

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  • Author: Sarah Whatley
  • Publisher: Springer Nature
  • ISBN: 3030440850
  • Category : Performing Arts
  • Languages : en
  • Pages : 269

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.


The Moving Dialogue

The Moving Dialogue

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  • Author: American Dance Therapy Association. Conference
  • Publisher:
  • ISBN: 9780915126057
  • Category : Dance therapy
  • Languages : en
  • Pages : 132


East Meets West in Dance

East Meets West in Dance

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  • Author: John Solomon
  • Publisher: Routledge
  • ISBN: 1134361017
  • Category : Performing Arts
  • Languages : en
  • Pages : 371

East Meets West in Dance chronicles this development in the words of many of its best known and most active exponents. This collection of articles provides a theoretical discussion of the promises and pitfalls inherent in transplanting art forms from one culture to another; it offers practical guidance for those who might want to participate in this enterprise and explains the general history of the dance exchange to date. It also identifies the differences that are unique to specific cultures, such as the development of theatrical forms, arts education, and the status of artists. This is a first examination of a phenomenon that has already touched most people in the arts community worldwide, and that none can afford to ignore. A lively dialogue has evolved over the last few decades between dance professionals -- performers, teachers and administrators -- in the United States and Europe and their counterparts in Asia and the Pacific rim.


Art [and] Dance

Art [and] Dance

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  • Author:
  • Publisher:
  • ISBN: 9780910663380
  • Category :
  • Languages : en
  • Pages :


Performance, Dance and Political Economy

Performance, Dance and Political Economy

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  • Author: Katerina Paramana
  • Publisher: Bloomsbury Publishing
  • ISBN: 1350188719
  • Category : Performing Arts
  • Languages : en
  • Pages : 208

This book examines the relation between bodies and political economies at micro and macro levels. It stands in the space between ends and beginnings – some long-desired, such as the end of capitalism and racism, and others long-dreaded, such as the climate catastrophe – and reimagines what the world can be like instead. It offers an original investigation into the relation between performance, dance, and political economy, looking at the points where politics, economics, ethics, and culture intersect. Arising from live conversations and exchanges among the contributors, this book is written in an interdisciplinary and dialogical manner by leading scholars and artists in the fields of Performance Studies, Dance, Political Theory, Economics, and Social Theory: Marc Arthur, Melissa Blanco Borelli, Anita Gonzalez, Alexandrina Hemsley, Jamila Johnson-Small, Elena Loizidou, Tavia Nyong'o, Katerina Paramana, Nina Power, and Usva Seregina. Their critical and creative examinations of the relation between bodies and political economy offer insights for both imagining and materializing a world beyond the present.


Choreography, Visual Art and Experimental Composition 1950s–1970s

Choreography, Visual Art and Experimental Composition 1950s–1970s

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  • Author: Erin Brannigan
  • Publisher: Routledge
  • ISBN: 1000563731
  • Category : Art
  • Languages : en
  • Pages : 315

This book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance—breath, weight, tone, energy—informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com


Dance, Architecture and Engineering

Dance, Architecture and Engineering

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  • Author: Adesola Akinleye
  • Publisher: Bloomsbury Publishing
  • ISBN: 1350185205
  • Category : Performing Arts
  • Languages : en
  • Pages : 177

This book was born from a year of exchanges of movement ideas generated in cross-practice conversations and workshops with dancers, musicians, architects and engineers. Events took place at key cultural institutions such as the Royal Academy of Arts, London; and The Lowry, Salford, as well as on-site at architectural firms and on the streets of London. The author engages with dance's offer of perspectives on being in place: how the 'ordinary person' is facilitated in experiencing the dance of the city, while also looking at shared cross-practice understandings in and about the body, weight and rhythm. There is a prioritizing of how embodied knowledges across dance, architecture and engineering can contribute to decolonizing the production of place – in particular, how dance and city-making cultures engage with female bodies and non-white bodies in today's era of #MeToo and #BlackLivesMatter. Akinleye concludes in response conversations about ideas raised in the book with John Bingham-Hall, Liz Lerman, Dianne McIntyer and Richard Sennett. The book is a fascinating resource for those drawn to spatial practices from dance to design to construction.


Falling Through Dance and Life

Falling Through Dance and Life

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  • Author: Emilyn Claid
  • Publisher: Bloomsbury Publishing
  • ISBN: 1350075728
  • Category : Performing Arts
  • Languages : en
  • Pages : 224

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world. Contemporary movement based performers ground their practices in understanding the interplay of gravity and the body. Somatic intentional falling provides them a creative resource for developing both self and environmental support. The physical, metaphorical and psychological impact of these practices informs the theories and perspectives presented in this book. As falling can be dangerous and painful, encouraging people to do so willingly might be considered a provocative premise. Western culture generally resists falling because it provokes fear and represents failure. Out of this tension a paradox emerges: falling, we are both powerless subjects and agents of change, a dynamic distinction that enlivens discussions throughout the writing. Emilyn engages with different dance genres, live performance and therapeutic interactions to form her ideas and interlaces her arguments with issues of gender and race. She describes how surrender to gravity can transform our perceptions and facilitate ways of being that are relational and life enhancing. Woven throughout, autobiographical, poetic, philosophical, descriptive and theoretical voices combine to question the fixation of Western culture on uprightness and supremacy. A simple act of falling builds momentum through eclectic discussions, uncovering connections to shame, laughter, trauma, ageing and the thrill of release.


Dance Dialogue

Dance Dialogue

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  • Author: Western Australia. Dance Dialogue Committee
  • Publisher:
  • ISBN: 9780730925910
  • Category : Dance
  • Languages : en
  • Pages : 46


Trisha Brown--dance and Art in Dialogue, 1961-2001

Trisha Brown--dance and Art in Dialogue, 1961-2001

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  • Author: Hendel Teicher
  • Publisher:
  • ISBN:
  • Category : Choreographers
  • Languages : en
  • Pages : 339