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Biodiversity Institutes for Conservation and Education (BICE) is a concept for a non-profit business solution addressing today’s pressing environmental problems such as biodiversity loss, ecosystem/habitat degradation, climate change, and related issues. The concept of BICE is to directly involve communities, of all sizes, in the responsible stewardship of endangered and threatened species, subspecies, and distinct population segments. This is accomplished through a community’s adoption of one of BICE’s many pre-planned taxonomic institutes; large, medium, and small. BICE designs, plans, and develops zoological facilities called “institutes” accommodating particular taxonomic groups, as well as designs and develops larger “full-fledged” biodiverse zoos, aquariums, and natural history museums. Every citizen and every community can be actively involved in a well-orchestrated, well-designed system of species conservation, and enjoy the holistic benefits of reconnecting with nature. BICE’s mission statement is as follows; “Our Mission at BICE is to promote and integrate research, outreach, and education while conserving the world’s biodiversity and natural resources, with emphasis on the most imperiled, through captive breeding and applied conservation.”
Contemporary Native Fiction: Toward a Narrative Poetics of Survivance analyzes paradigmatic works of contemporary Native American/First Nations literary fiction using the tools of narrative theory. Each chapter is read through the lens of a narrative theory – structuralist narratology, feminist narratology, rhetorical narratology, and unnatural narratology – in order to demonstrate how the formal structure of these narratives engage the political issues raised in the text. Additionally, each chapter shows how the inclusion of Native American/First Nations-authored narratives productively advance the theoretical work project of those narrative theories. This book offers a broad survey of possible means by which narrative theory and critical race theories can productively work together and is key reading for students and researchers working in this area.
In literary and cinematic representations, deserts often betoken collapse and dystopia. Reading Aridity in Western American Literature offers readings of literature set in the American Southwest from ecocritical and new materialist perspectives. This book explores the diverse epistemologies, histories, relationships, futures, and possibilities that emerge from the representation of American deserts in fiction, film, and literary art, and traces the social, cultural, economic, and biotic narratives that foreground deserts, prompting us to reconsider new, provocative modes of human/nonhuman engagement in arid ecogeographies.
Based on his more than 40 years of field research, Means, an expert on the eastern diamondback rattlesnake, reveals the biological complexity and beauty of the animals he has studied. In Australia, Means searches for the fiercey, reputed to be the worlds deadliest terrestrial snake. In Mexico, he stalks the rattlesnake that might have served as the model for the mythical plumed serpent of Mayan art. In Florida, he is chased by cottonmouth moccasins. Through his experiences, Means hopes that readers will gain a new appreciation for animals called herps, or creepy-crawly things.
This book will be a landmark text for all those interested in animal communication. Animal Vocal Communication explicitly avoids human-centred concepts and approaches and links communication to fundamental biological processes instead. It offers a conceptual framework - assessment/management - that allows us to integrate detailed studies of communication with an understanding of evolutionary perspectives. Self-interested assessment is placed on par with the signal production (management) side of communication, and communication is viewed as reflecting regulatory processes. Signals are used to manage the behaviour of others by exploiting their active assessment. The authors contend that it is this interplay between management and assessment that results in the functioning and evolution of animal communication; it is what communicative behaviour accomplishes that is important, not what information is conveyed.
Why do infants and toddlers seem to have a heightened awareness of the paranormal—and an often marked ability to interact with the unknown? And why do these qualities and abilities seem to mysteriously disappear during adolescence? There's Something Under the Bed! explores the often complex relationships between children and the paranormal, and focuses special attention on the sometimes startling realities behind children's "imaginations." This book will help you: Distinguish whether your child’s imaginary friend is the product of his or her mind, a harmless spirit in the house, or something more malicious. Trace the links between children’s ever-changing beliefs and folklore, fairy tales, and popular culture. Understand the real phenomena behind ghosts, fairies, angels, and possessions. Foster a healthy relationship between your child and the paranormal. Protect your children from fear and danger.
Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.
Since the 1800's, many European Americans have relied on Native Americans as models for their own national, racial, and gender identities. Displays of this impulse include world's fairs, fraternal organizations, and films such as Dances with Wolves. Shari M. Huhndorf uses cultural artifacts such as these to examine the phenomenon of "going native," showing its complex relations to social crises in the broader American society—including those posed by the rise of industrial capitalism, the completion of the military conquest of Native America, and feminist and civil rights activism. Huhndorf looks at several modern cultural manifestations of the desire of European Americans to emulate Native Americans. Some are quite pervasive, as is clear from the continuing, if controversial, existence of fraternal organizations for young and old which rely upon "Indian" costumes and rituals. Another fascinating example is the process by which Arctic travelers "went Eskimo," as Huhndorf describes in her readings of Robert Flaherty's travel narrative, My Eskimo Friends, and his documentary film, Nanook of the North. Huhndorf asserts that European Americans' appropriation of Native identities is not a thing of the past, and she takes a skeptical look at the "tribes" beloved of New Age devotees. Going Native shows how even seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and the continued oppression of Native Americans. Huhndorf reconsiders the cultural importance and political implications of the history of the impersonation of Indian identity in light of continuing debates over race, gender, and colonialism in American culture.
