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This heartfelt picture book biography illustrated by the Caldecott Honoree Ekua Holmes, tells the story of MaVynee Betsch, an African American opera singer turned environmentalist and the legacy she preserved. MaVynee loved going to the beach. But in the days of Jim Crow, she couldn't just go to any beach--most of the beaches in Jacksonville were for whites only. Knowing something must be done, her grandfather bought a beach that African American families could enjoy without being reminded they were second class citizens; he called it American Beach. Artists like Zora Neale Hurston and Ray Charles vacationed on its sunny shores. It's here that MaVynee was first inspired to sing, propelling her to later become a widely acclaimed opera singer who routinely performed on an international stage. But her first love would always be American Beach. After the Civil Rights Act desegregated public places, there was no longer a need for a place like American Beach and it slowly fell into disrepair. MaVynee remembered the importance of American Beach to her family and so many others, so determined to preserve this integral piece of American history, she began her second act as an activist and conservationist, ultimately saving the place that had always felt most like home.
In its heyday, when other beaches grudgingly provided only limited access, black vacationers traveled as many as 1,000 miles down the east coast of the United States and hundreds of miles along the Gulf coast to a beachfront that welcomed their business.
The coasts of today's American South feature luxury condominiums, resorts, and gated communities, yet just a century ago, a surprising amount of beachfront property in the Chesapeake, along the Carolina shores, and around the Gulf of Mexico was owned and populated by African Americans. Blending social and environmental history, Andrew W. Kahrl tells the story of African American–owned beaches in the twentieth century. By reconstructing African American life along the coast, Kahrl demonstrates just how important these properties were for African American communities and leisure, as well as for economic empowerment, especially during the era of the Jim Crow South. However, in the wake of the civil rights movement and amid the growing prosperity of the Sunbelt, many African Americans fell victim to effective campaigns to dispossess black landowners of their properties and beaches. Kahrl makes a signal contribution to our understanding of African American landowners and real-estate developers, as well as the development of coastal capitalism along the southern seaboard, tying the creation of overdeveloped, unsustainable coastlines to the unmaking of black communities and cultures along the shore. The result is a skillful appraisal of the ambiguous legacy of racial progress in the Sunbelt.
This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.
From its founding in 1935 to the present, trips to American Beach have meant good times, good friends, and great food. Located on Amelia Island in northeast Florida and established by the Pension Bureau of the Afro-American Life Insurance Company, American Beach today is listed on the National Register of Historic Places. It remains a beloved vacation destination as well as a year-round home for many African Americans. For The American Beach Cookbook, Marsha Dean Phelts has collected nearly 300 recipes passed down through generations. Over the years, many influences have found their way into the dishes and are represented here by everything from pig's feet to sweet potato pone and from smothered shrimp to bourbon slushes. Mouths will water at such treats as fried cheese grits, she-crab soup, seafood casserole, crab coated shrimp chops, cornbread dumplings, chicken curry, corn relish, pickled peaches, Big Mama's fruitcake, and much more. In addition to the recipes, readers will enjoy compelling vignettes that illustrate the heritage of people and potables, vintage photographs, and area maps that together tell one of the great stories of a unique community.
2020 Miriam Matthews Ethnic History Award from the Los Angeles City Historical Society Alison Rose Jefferson examines how African Americans pioneered America’s “frontier of leisure” by creating communities and business projects in conjunction with their growing population in Southern California during the nation’s Jim Crow era.
The American coastal frontier -- Taming the beach: wreckers and wreck law on the Jersey shore -- Transforming the shore: tourism, lifesavers, and the rise of Quonnie -- Clearing the coast: Captain T.A. Scott, a "True American" -- Shipwreck and spectacle on the modern beach.
In a collection of nostalgic and lighthearted vignettes, local author Jeannie Weller Cooper recounts the history of Panama City Beach, the barrier islands and beach for old Panama City. First inhabited by Native Americans in the years before the Spanish arrived in the sixteenth and seventeenth centuries, Panama City Beach has always proved a good hideout for fugitives, from Native Americans fleeing from European invaders to runaway slaves, Civil War soldiers, outlaws and rumrunners. In 1929, the first Hathaway Bridge was completed; connecting Greater Panama City to the beach, but the lagoon and the beach remained a sleepy curiosity until the bombing of Pearl Harbor mobilized the United States to war. Now Panama City Beach is home to thousands of residents, as well as being a renowned tourist destination.
It's 1983, the evening before Dr. Sally Ride's historic space flight. Hundreds of miles from the launch, a group of women with passionate opinions and no opportunities sit on a sweltering St. Louis rooftop watching life pass them by. Their uncharted desires bump up against American norms of sex and power in this intimate snapshot of queer anti-heroines.
