PDF A triad of essays to define the inspiration of nature, genius, and holy scripture. By "A Reconciler" [i.e. Mrs. M. Roberts]. Download
- Author: Mrs. Martyn ROBERTS
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- Languages : en
- Pages : 110
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At the time of his death in the autumn of 2017, Robert W. Jenson was arguably America's foremost theologian. Over the course of a career spanning more than five decades, much of Jenson's thought was dedicated to the theological description of how Scripture should be read-what has come to be called theological interpretation. In this rapidly expanding field of scholarship, Jenson has had an inordinate impact. Despite its importance, study of Jenson's theology of scriptural interpretation has lagged, due in large part to the longevity of his career and volume of his output. In this book, all of Jenson's writings on Scripture and its interpretation have been collected for the first time. Here readers will be able to see the evolution of Jenson's thought on this topic, as well as the scope and intensity of his late-period engagement with it. Where other twentieth-century thinkers rely on non-theological, secular methods of scriptural investigation, Jenson is willing to let go of "respectability" for the sake of a truly Christian theological interpretation. The result is a genuinely free, intellectually invigorating exercise in reading and theory from one of the greatest theologians in the last century.
Presents five hundred-one critical reading questions to prepare for the SAT I and other tests and includes skill builders on different subject matter such as U.S. history and politics, arts and humanities, health and medicine, literature and music, sports, science, and social studies.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.