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This volume is a collective production by Carleton University's anthropology caucus, for use in introductory courses in cultural anthropology. It is an alternative to available textbooks which the caucus feels are mainly American in orientation, and not respectful of third and fourth world peoples.
The stunning, thought-provoking first novel by a "lost giant of American literature" (The New Yorker) June, 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.
A book about being a jazz and commercial musician in New York, and the author’s run-ins with crooks, cops, drugs, stars, and sex. If he were famous it would have no trouble selling a million copies. However, like the blurred picture, he is a famous unknown, an adventurous kid from Coney Island who managed to stumble into the world of music and make an original life for himself.
It is becoming increasingly apparent that virtually all aspects of diversity are in steep decline. Indigenous knowledge systems, biodiversity and cultural diversity (three interacting, interdependent systems) are all threatened with extinction throughout the world. This book explores the diversity crisis from the perspective of forestry. It introduces an emerging vision, known as the endogenous realisation of aspirations (ERA), that attempts to enhance well-being and biocultural diversity by building on local or endogenous ambitions and dreams. Based on research in the Kham region of south-western China, the author offers some practical methods for allowing development professionals to develop an understanding of and empathy for the local cultures within which they work, as well as to identify and understand local forest concepts and values. He also offers some policy recommendations for incorporating this approach more widely into development practice.
These 35 little known heroes and heroines of American history from across the ethnic spectrum have been virtually ignored in traditional history books. Their inspiring, biographical profiles reveal the struggle, in the face of entrenched opposition, for a just, equitable, and humane society. They spoke for racial and social justice, women's rights, safe working conditions, and freedom of conscience and religion. More than half of the profiles are of women, one fourth are of African-Americans, and Native Americans, Asian Americans, Latino and Chicano Americans are also represented. Each profile integrates the individual life with a detailed explanation of the historical context, and each entry provides excerpts from primary sources--speeches, writings, and interviews--and is followed by broad bibliographical references. An alternative perspective on American history for students is offered in this work. The 35 men and women profiled here all defied the social and moral conventions of their times, frequently facing opposition and condemnation. Their voices were often stilled, muted, or lost, but their ethically grounded courage, their clarity of vision, and their willingness to stand up to injustice provide role models for Americans of all ages. One third of these people cannot be found in standard biographical references and others have never before been the focus of biographical sketches. Subject lists by chronology, gender, ethnicity, and focus of the biographee's concern will enable the student to select an appropriate subject for investigation and reports.
Broke and broken-hearted don’t need to be your destiny. Neither do flat sales or frustrated teams. These bleak outcomes stem from doing what’s always been done, but this book is for those who believe in different. Regardless of whether you are alone or the leader of a major organization, you are that person who simply cannot shake the belief that doing the same things you’ve always done won’t work anymore. Here’s the good news. It’s not too late. In fact, you’re early—you’re thinking about this now. You can still avoid the “squeeze the blood from the turnip” mindset and the fear of what’s coming next quarter. Different has and always will be the differentiator for individuals, ideas, and industries. Are you a different maker? Do you criticize by creating? Do you see things others don't? You play an essential role, now more than ever. Different Drummer is for those who never want to be the same.
'More than lives up to the hype' Observer 'Set to become a publishing sensation' Kirsty Lang, BBC Front Row 'An astounding achievement' Sunday Times 'The lost giant of American literature' New Yorker June, 1957. One afternoon, in the backwater town of Sutton, a young black farmer by the name of Tucker Caliban matter-of-factly throws salt on his field, shoots his horse and livestock, sets fire to his house and departs the southern state. And thereafter, the entire African-American population leave with him. The reaction that follows is told across a dozen chapters, each from the perspective of a different white townsperson. These are boys, girls, men and women; either liberal or conservative, bigoted or sympathetic - yet all of whom are grappling with this spontaneous, collective rejection of subordination. In 1962, aged just 24, William Melvin Kelley's debut novel A Different Drummer earned him critical comparisons to James Baldwin and William Faulkner. Fifty-five years later, author and journalist Kathryn Schulz happened upon the novel serendipitously and was inspired to write the New Yorker article 'The Lost Giant of American Literature', included as a foreword to this edition.
